I am still chugging along trying to get my draft done so that I can get to the fun stuff:
No, not drowning my sorrows in Sanka.
No, not learning the fine art of belly dancing.
I’m talking about revisions. Yes! I think that’s the fun stuff! I know! I know! Wild!
Check your scenes
Sometimes we have scenes that don’t fit. And those scenes have to go.
Yes, you may want to have an especially poignant scene in your sci-fi thriller where Douglas, the hamster, gets out of his cage and is trapped in the minivan beneath the cushions. But does it really fit in a futuristic fable?
“A scene should reveal something about the character, advance the plot in a significant way, provide insight into the ‘theme,’ or, as Eurdora Welty suggested, do all three,” James Plath says.
Too little? Your story feels like a writing exercise.
Too many? Your story is lost in a lot of moments and more moments and all the oomph of your story is gone.
Think About How the Story is Framed.
This is the set-up. Think about THE COLOR PURPLE or Jay Asher’s 13 REASONS WHY. Brilliantly done.
Don’t Forget That We Have More Than Eyes
Readers can smell and feel and taste, too. Make them do that in your story. Make your story a world that isn’t just visual.
Think about Place
We’ve had a lot of posts about place here at the Tollbooth.
Plath says, “Many stories exist in a vacuum, where lines are spoken without any description of an interior or exterior settling. That’s like going to the theater and having the house lights never come on …..”
These revision tips this week are all originally from James Plath’s article “Twenty-one Tweaks to a Better Tale,” which was published in THE COMPLETE BOOK OF NOVEL WRITING, Writer’s Digest Books, Cincinatti, Ohio, Edited by Meg Leder, Jack Heffron, and the Editors of Writer’s Digest.
WRITING AND PODCAST NEWS
Over 170,000 people have downloaded episodes of our podcast, DOGS ARE SMARTER THAN PEOPLE, you should join them. There will be a new episode tomorrow!
I HAVE A NEW BOOK!
THIS IS WHAT IT’S ABOUT
Rosie Jones, small town reporter and single mom, is looking forward to her first quiet Maine winter with her young daughter, Lily. After a disastrous first marriage, she’s made a whole new life and new identities for her and her little girl. Rosie is more than ready for a winter of cookies, sledding, stories about planning board meetings, and trying not to fall in like with the local police sergeant, Seamus Kelley.
But after her car is tampered with and crashes into Sgt. Kelley’s cruiser during a blizzard, her quiet new world spirals out of control and back into the danger she thought she’d left behind. One of her new friends is murdered. She herself has been poisoned and she finds a list of anagrams on her dead friend’s floor.
As the killer strikes again, it’s obvious that the women of Bar Harbor aren’t safe. Despite the blizzard and her struggle to keep her new identity a secret, Rosie sets out to make sure no more women die. With the help of the handsome but injured Sgt. Kelley and the town’s firefighters, it’s up to Rosie to stop the murderer before he strikes again.
You can order it here.
IN THE WOODS – READ AN EXCERPT, ORDER NOW!
My new book, IN THE WOODS, is out!
It’s with Steve Wedel. It’s scary and one of Publisher’s Weekly’s Buzz Books for Summer 2019. There’s an excerpt of it there and everything! But even cooler (for me) they’ve deemed it buzz worthy! Buzz worthy seems like an awesome thing to be deemed!
Order this bad boy, which might make it have a sequel. The sequel would be amazing. Believe me, I know. It features caves and monsters and love. Because doesn’t every story?
Buy limited-edition prints and learn more about my art here on my site.