How to Make a Good Book Better – Revision Tips of Awesome – Part Three

So, these past three Mondays, I’ve been giving revision tips to help with people’s stories. And this is the last in the series! I know! I know! The horror!

Get ready writers and put your revision hats on. As I write this, we’re in lockdown because of CoVid-19 aka the coronavirus, and I know you all just want to draft and eat, but get dressed and do the hard stuff, too. Revising makes your book so much stronger.

11.  GIVE YOUR CHARACTERS A REASON

Do not have your hamster kill your cat without a motivation. The cat’s tormenting? That’s a reason. The cat’s snoring? That’s a motivation. 

Every character has to have a want and a motivation, a reason for doing what they do.

In other words: Your characters need to make sense.

12. THINK ABOUT TIME FRAME

Should your story be an hour in the protagonist’s life? A day? A year? Does it really need to end with the prom? Plath says to think of the story as “an image stamped in Silly Putty, until it became distorted and possibly more interesting?” 

Pull out that image. Think about how long your story is in the character’s life.

13. ADD SOME TEXTURE

Think about figurative language. Think about symbols and allusions and metaphors. Use the tools of literature and the sounds of poetry to make your story resonate.

But, um, don’t put a simile in every paragraph.

14. MAYBE YOU SHOULD GO UNRELIABLE

Narrators who are reliable are sometimes narrators who are boring. What would happen if yours went to the dark side? 

15. BE TRIVIAL. BE DEEP

We want to hear what matters to the character and what trivial parts of his/her existence make him/her real. If she’s a bus driver. Let us know how that impacts her thinking. Let us see her job.

PART ONE OF THESE TIPS IS HERE!

PART TWO OF THESE TIPS IS HERE!


These revision tips this week are all originally from James Plath’s article “Twenty-one Tweaks to a Better Tale,” which was published in THE COMPLETE BOOK OF NOVEL WRITING, Writer’s Digest Books, Cincinatti, Ohio, Edited by Meg Leder, Jack Heffron, and the Editors of Writer’s Digest.


WRITING AND PODCAST NEWS

Over 170,000 people have downloaded episodes of our podcast, DOGS ARE SMARTER THAN PEOPLE, you should join them. There will be a new episode tomorrow! 

Last week’s episode’s link.

This week’s episode’s link.


Continue reading “How to Make a Good Book Better – Revision Tips of Awesome – Part Three”

How to Make Your Good Book Better – Revision Tips of Awesome – Part Two

I am still chugging along trying to get my draft done so that I can get to the fun stuff:

No, not drowning my sorrows in Sanka.

No, not learning the fine art of belly dancing.

I’m talking about revisions. Yes! I think that’s the fun stuff! I know! I know! Wild!

Check your scenes

Sometimes we have scenes that don’t fit.  And those scenes have to go.

Yes, you may want to have an especially poignant scene in your sci-fi thriller where Douglas, the hamster, gets out of his cage and is trapped in the minivan beneath the cushions. But does it really fit in a futuristic fable? 

“A scene should reveal something about the character, advance the plot in a significant way, provide insight into the ‘theme,’ or, as Eurdora Welty suggested, do all three,”   James Plath says. 

Too little? Your story feels like a writing exercise.


Too many? Your story is lost in a lot of moments and more moments and all the oomph of your story is gone. 

Think About How the Story is Framed.

This is the set-up. Think about THE COLOR PURPLE or Jay Asher’s 13 REASONS WHY. Brilliantly done. 

Don’t Forget That We Have More Than Eyes


Readers can smell and feel and taste, too. Make them do that in your story. Make your story a world that isn’t just visual. 

Think about Place


We’ve had a lot of posts about place here at the Tollbooth. 

Plath says, “Many stories exist in a vacuum, where lines are spoken without any description of an interior or exterior settling. That’s like going to the theater and having the house lights never come on …..”

These revision tips this week are all originally from James Plath’s article “Twenty-one Tweaks to a Better Tale,” which was published in THE COMPLETE BOOK OF NOVEL WRITING, Writer’s Digest Books, Cincinatti, Ohio, Edited by Meg Leder, Jack Heffron, and the Editors of Writer’s Digest.

Part One of these Tips is Here!


WRITING AND PODCAST NEWS

Over 170,000 people have downloaded episodes of our podcast, DOGS ARE SMARTER THAN PEOPLE, you should join them. There will be a new episode tomorrow! 

Last week’s episode’s link.

This week’s episode’s link.


I HAVE A NEW BOOK! 

THIS IS WHAT IT’S ABOUT

Rosie Jones, small town reporter and single mom, is looking forward to her first quiet Maine winter with her young daughter, Lily. After a disastrous first marriage, she’s made a whole new life and new identities for her and her little girl. Rosie is more than ready for a winter of cookies, sledding, stories about planning board meetings, and trying not to fall in like with the local police sergeant, Seamus Kelley.

But after her car is tampered with and crashes into Sgt. Kelley’s cruiser during a blizzard, her quiet new world spirals out of control and back into the danger she thought she’d left behind. One of her new friends is murdered. She herself has been poisoned and she finds a list of anagrams on her dead friend’s floor. 

As the killer strikes again, it’s obvious that the women of Bar Harbor aren’t safe. Despite the blizzard and her struggle to keep her new identity a secret, Rosie sets out to make sure no more women die. With the help of the handsome but injured Sgt. Kelley and the town’s firefighters, it’s up to Rosie to stop the murderer before he strikes again.

You can order it here. 


IN THE WOODS – READ AN EXCERPT, ORDER NOW!

My new book, IN THE WOODS, is out!

Gasp!

It’s with Steve Wedel. It’s scary and one of Publisher’s Weekly’s Buzz Books for Summer 2019. There’s an excerpt of it there and everything! But even cooler (for me) they’ve deemed it buzz worthy! Buzz worthy seems like an awesome thing to be deemed!

Order this bad boy, which might make it have a sequel. The sequel would be amazing. Believe me, I know. It features caves and monsters and love. Because doesn’t every story?

In the Woods
In the Woods

ART NEWS

Becoming

Buy limited-edition prints and learn more about my art here on my site. 

How to Make a Good Book Better

I am currently being whipped down into one of Dante’s lower circles of hell due to:

  • 1. My deadline crunch on a million things.
  • 2. My dog who has decided that something evil is in the lot behind our house and she must press her body into mine at all times in order to keep me safe. She simultaneously barks while doing this. It is making writing a little – um – difficult? Have I mentioned that she’s a large dog? 
I love my people. I protect them with my furry charm and big bark.

Here are some things I (should) think about when I’m revising. Hopefully, they’ll help you out, too.


I’ve taken them from James Plath’s article “Twenty-One Tweaks to a Better Tale.” 

1. Does the beginning need to be an ending?



Sometimes our beginnings stink. 

Beginnings need to be:
powerful
witty
stunning

This could be a powerful piece of dialogue, a witty description or a stunning scene. 

Sometimes we writers have to amp up, sort of rev our engines before we start the race of the story. 

My engine is revving. Shh…..


Side note: Some of us never get started.

It’s okay to cross entire paragraphs or a chapter out. 

2. Check Out How It Ends



Just like a beginning needs to be powerful or witty or stunning to draw us in like a really good appetizer, the ending has to linger (not in the way heartburn lingers). The ending has to resonate.

Is there a way to echo earlier images or words or a phrase so that it has that extra kick, making the reader realize that there are deeper things going on, that there is a deeper meaning, that this story or poem somehow touches on the truth that is life. 


3. Make Love to the Image

Have an image that resonates throughout the story. In the movie, Brokeback Mountain, it’s when one guy is hugging the other guy from behind him or it’s when he says, “I wish I knew how to quit you.” 

Think about a book like Carolyn Coman’s MANY STONES or THE HOBBIT or CAPTAIN UNDERPANTS. There are central images in there. Do that. Use an image. A strong image will keep your story in readers’ memories. 

4. Is the right person telling the tale?


I mean, I have often written gothic murder love stories from the point of view of Barney the Dinosaur, but it never seems to work. Have you had this problem too? 

Do not be afraid to switch that tale teller to Baby Bop.

I giggle! I am Baby Bop! 

5. Is your narrator talking to him/herself too much?


My former teacher and amazing writer-man Tim Wynne Jones once yelled at me (via email and in a lovely way) because I stopped a fight scene to have the narrator look at her Snoopy shoes. 

Dude. That is just not cool. 


Don’t have the character talk too much internally, but don’t have them not talk at ALL internally because then they are just robotic or perhaps a little shallow.

Nobody wants to read a whole novel from Barney’s point-of -view. It is not super-dee-duper. 


So get some internal monologue in there. 

Everything is super-dee-duper, writers! If a purple dino can dance and have his own tv show then you can revise! 

6. Do you have enough people in your story? Too many? 


I once wrote a story with three characters in it. It even actually won an award, which had actual money attached to it, but it did not get published.

Of course, my agent hasn’t submitted it, but that’s probably because it’s soooooooooo thin. A story with too few characters is like going out to dinner and only getting a cracker. It is not satisfying usually unless it’s a really big, yummy, super-cool cracker.

It’s the same thing with too many characters. I am one of those people who are easily confused. If there are twenty character names in the first two paragraphs I pretty much give up on the book.

Get rid of those unnecessary characters. 

It’s all about me! And my core group of friends! Sometimes you have to trim those expendables. That’s why they call them expendable. They are totally expendable. 

WRITING AND PODCAST NEWS

Over 170,000 people have downloaded episodes of our podcast, DOGS ARE SMARTER THAN PEOPLE, you should join them. There will be a new episode tomorrow! 

Last week’s episode’s link.

This week’s episode’s link.


I HAVE A NEW BOOK! 

THIS IS WHAT IT’S ABOUT

Rosie Jones, small town reporter and single mom, is looking forward to her first quiet Maine winter with her young daughter, Lily. After a disastrous first marriage, she’s made a whole new life and new identities for her and her little girl. Rosie is more than ready for a winter of cookies, sledding, stories about planning board meetings, and trying not to fall in like with the local police sergeant, Seamus Kelley.

But after her car is tampered with and crashes into Sgt. Kelley’s cruiser during a blizzard, her quiet new world spirals out of control and back into the danger she thought she’d left behind. One of her new friends is murdered. She herself has been poisoned and she finds a list of anagrams on her dead friend’s floor. 

As the killer strikes again, it’s obvious that the women of Bar Harbor aren’t safe. Despite the blizzard and her struggle to keep her new identity a secret, Rosie sets out to make sure no more women die. With the help of the handsome but injured Sgt. Kelley and the town’s firefighters, it’s up to Rosie to stop the murderer before he strikes again.

You can order it here. 


IN THE WOODS – READ AN EXCERPT, ORDER NOW!

My new book, IN THE WOODS, is out!

Gasp!

It’s with Steve Wedel. It’s scary and one of Publisher’s Weekly’s Buzz Books for Summer 2019. There’s an excerpt of it there and everything! But even cooler (for me) they’ve deemed it buzz worthy! Buzz worthy seems like an awesome thing to be deemed!

Order this bad boy, which might make it have a sequel. The sequel would be amazing. Believe me, I know. It features caves and monsters and love. Because doesn’t every story?

In the Woods
In the Woods

ART NEWS

Becoming

Buy limited-edition prints and learn more about my art here on my site. 

Red Curry Rice of Revision Hell


Print Recipe


Red Curry Rice of Revision Hell

This recipe is adapted from the fantastic Cookie and Kate

Cuisine vegetarian

Servings
people


Ingredients

Cuisine vegetarian

Servings
people


Ingredients


Instructions
  1. Cook that jasmine rice. Worry that it isn't the right rice. Worry you aren't the right writer to cook it. Boil it in a pot of water for 30 minutes. Don't let it overflow like your 197,000-word picture book about anarchy.

  2. Drain. Put it back in the pot. Let it rest for 10 minutes or more. Fluff it up when it's time. All works need a good fluffer.

  3. Wonder how you can possibly chop 196,000 words out of your brilliant picture book so that it's the appropriate publishing-industry 'approved' length. Sob as you put a big skillet on medium heat.

  4. When it's hot, add the oil.

    Wonder if you can even judge this if you can't manage to cut a mere five words out of your picture book, the ABC's of ANARCHY.

  5. Throw in the onion, some salt. Stir a lot. Stir for 5 minutes. Cry. Why do no publishers understand that children under three are indeed ready for your picture book and can read things that long and sustain attention.

  6. Add garlic, ginger, cook 30 seconds. Continue stirring.

  7. All you do is stir.

  8. The man is making you stir, isn't he? He also created those picture book rules.

  9. To heck with the man. You'll self publish it. You don't need to cut or revise. You don't need the man.

  10. Put the peppers and carrots in. Cook for 5 minutes. Add curry past. Cook for two minutes

  11. Feel happy that you don't have to revise.

  12. Keep adding on words. I mean ingredients. Add kale, water, coconut milk, sugar.

    Keep stirring.

    Make it simmer and then lower that heat to keep it gentle but not too harsh. Just like the voice in your picture book. This should take between 5-10 minutes. You get to decide when it's ready. LOOK AT THAT POWER! Feel powerful. You are in charge of your destiny!

  13. Take it off the stove. Add soy sauce and juice. Add salt. If it's too mellow add more soy sauce. Serve it with that fluffy rice and rejoice!

Tempeh Fries of Revision Hell

Print Recipe
Tempeh Fries of Revision Hell
This is a recipe adapted from thespruceats.com and epicurious, which are awesome websites.
Tempeh Fries of Revision Hell
Course side dish
Cuisine american
Prep Time 10 minutes
Cook Time 5 minutes
Passive Time 0 minutes
Servings
people
Ingredients
Course side dish
Cuisine american
Prep Time 10 minutes
Cook Time 5 minutes
Passive Time 0 minutes
Servings
people
Ingredients
Tempeh Fries of Revision Hell
Instructions
  1. Realize that you have to cut 11,000 words out of your time travel story.
  2. Die inside.
  3. Realize that even though you've worked on it for three days straight, you've only cut 3,000 words. Decide you need fries but then remember that you don't eat potatoes anymore.
  4. Hate yourself for your decisions.
  5. Decide to make tempeh fries instead. Get out the tempeh and cut in into French-fry shapes. If you squint hard enough, you could maybe fool yourself into thinking they are really French fries.
  6. Wonder if there's a way you can fool your agent into thinking you've cut 11k out of your story.
  7. Put an inch of water in a big skillet and boil it. Realize this is an objective correlative to your anxiety level, boiling past calmness. Simmer the tempeh in there for 10 minutes so something good comes of all this.
  8. In a bowl put the cornmeal and salt together and mix them. Roll the tempeh in there so stuff sticks.
  9. Cry.
  10. Wonder why you are a writer.
  11. Medium-high heat is important so set things to that. Put a skillet on the burner Put the oil in the skillet. Sauté the tempeh. This should be 2 minutes on one side and then the other. Drain it on a paper towel because JUST LIKE TOO MANY WORDS, TOO MUCH GREASE IS A BAD THING, APPARENTLY.
  12. Make the dip by combining the remaining ingredients. Sob into it. Decide to just cut off the first half of the book and call it good..

First Drafts Suck But So Do A Ton of Other Things

First Drafts Suck But So Do A Ton of Other Things

 
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Hard writer truth time:

First drafts suck.

Almost everything stinks the first time you do it. That’s because it’s THE FIRST time you do it. But, we tend to expect to have our writing be perfect somehow.

Why?

Guitarists don’t expect to be Mark Knopffler the moment they pick up a guitar. Singers don’t expect to be Norah Jones the first time they sing. Sculptors don’t expect to be Michelangelo.

Here’s the Thing:

Being good takes practice.

And even if you’ve written 100 novels already? There is a high likelihood that your first draft of your next novel? It’s going to suck.

But it’s not the end of the world. The end of the world is when you give up.

So, how do you make your sucky first draft better?

Think about it.

 

How to Get Past Your crappy first draft. Three secret ways to write better
You can do it

WRITER TIP OF THE POD

You want to make that first draft a better second draft? Think of these three things to start off right.

  1. Think about what your character wants more than anything in the world. Make sure you have that in your story.
  2. Think about what your character would never do – not ever. Revise your story so that this becomes a high moment of tension, of possibility.
  3. Add tension to every page. EVERY PAGE!

DOG TIP FOR LIFE!

Sometimes, it’s hard to catch the ball in your mouth, especially the first time. Try again anyways. Once you do it right, you get the ball… in your mouth! Score!

Dog Tip for Life
Dog Tip for Life

Make Your Life and Your Writing Resonate

The best kind of work is the kind that makes you messy (even if you’re a Virgo) inside and out.

And for a lot of writers, especially writers for kids, our job isn’t just about making story; it’s about making a difference somehow in at least one kid’s life. That is a messy business because in order to make a difference, you have to dig deep, to go through a lot of dirt and mud and rock to get to what it is that matters to you and to your story and to your reader and/or life partners.

When I go to schools, I always tell the kids that one of the important steps to becoming the best writers you can be is to live the biggest life you can live. To not risk life or jail time, but to have adventures, to do things that you would never expect yourself doing.

YOUR LIFE IS YOUR STORY. MAKE IT A BIG ONE.

Big stories have conflict, and none of us are really into conflict in our lives, but it’s the conflict that allows our stories to have meaning and resonance.

Big stories have awkward moments and worries. Our characters and our selves feel overwhelmed. We feel like we can’t make it sometimes. That’s part of what makes surviving such a sweet triumph.

Being a writer is about more than craft. It’s about the story of how to be a writer, your story. It’s part of the bigger story of your life.

Being a writer is about more than craft. It's about life and resonance and cohesion.
Writing is life.

 

EVERY LESSON ABOUT WRITING CRAFT IS ACTUALLY A LESSON ABOUT LIFE.

Talking about paying attention to detail in your scene? It’s the same as paying attention to the details in your real life.

Talking about traits of your character and how to make them heroes (or not)? It’s the same as talking about the traits that make you the you that you so beautifully are.

Talking about resolution to your story is the same as talking about resolution to your relationships, to your current conflict, to your own life and death.

I know, right? Mind blown.

In every story we write there needs to be some logic and there needs to be some spirit or resonance.

What makes the logic of the story?

That comes from plot, pacing, character, and theme. You start your story with a vision and then the other elements are honed and refined to express that vision.

The logic is the structure of the story, how it all works together. It’s how your plot isn’t just action, but a movement forward towards an end point – and how that movement forward makes sense and works together with the character, the theme, the pacing.

Events that happen must make the character react and act.

Creating resonance and cohesion in your life and your story. Tips on how to make life better.
Resonate

AND RESONANCE?  WHAT’S RESONANCE?

It’s the story’s value. It’s the universal nature of the story. It’s what makes the reader’s heart and mind go, “A-ha!”

It’s what makes you remember the story. We’ve all met people, read books, watched movies or shows or heard songs and forgotten them, but the ones that resonate? Those are the ones we remember.

Think Hamilton.  Hamilton resonates across so many demographics partially because it’s the story about immigration and triumph and death, about idealism and it’s then set to something that feels more new in musical theater – the style of music, which is juxtaposed to the historical setting. It resonates.

Think about the Nas song War (Birth of a Nation). This song connects Nat Turner to the protests of today and about fighting to make a better U.S. It resonates.

It’s about theme and heart. It’s about authenticity and humanity. That’s what resonates.

SO HOW DO YOU MAKE YOUR STORY RESONATE?

Think about what your story is really about on the deepest level.

HOW DO YOU MAKE YOUR LIFE RESONATE?

Same thing. Think about what your life is really about on the deepest level.

dogs-are-smarter-than-people_std.original-1

Dog Tip for Life

Get dirty as much as you can. Dirt means you’re living. Dirt is real. Dirt is life.

Getting Messy makes you a better writer. carriejonesbooks.blog
dog tip for life

Writing Tip of the Pod – When you’re writing, don’t be afraid to have messy, uncomfortable things happen to your characters. A story with no conflict is not a story.

Advice about adding resonance and cohesion to your story
Bob? Yuri? Scary?

Random Bonus Picture from Random Thought Time

This is Bob. Or maybe Yuri? He is in our house. Shaun mentions him in the podcast. Bob/Yuri frightens me even though he has no arms.

Here’s a direct link to the podcast feed.

Dogs are smarter than people - the podcast, writing tips, life tips, quirky humans, awesome dogs
The podcast of awesome

Writing News – Carrie’s

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Book Expo America

Carrie will be signing copies of The Spy Who Played Baseball at Book Expo America on June 1 at 11:30 a.m.

WSSTypeWriter-300x300

THE CLASS AT THE WRITING BARN

The awesome 6-month-long Writing Barn class that they’ve let me be in charge of!? It’s happening again in July. Write! Submit! Support!is a pretty awesome class. It’s a bit like a mini MFA but way more supportive and way less money.

PRAISE FOR CARRIE JONES AND WRITE. SUBMIT. SUPPORT:

“Carrie has the fantastic gift as a mentor to give you honest feedback on what needs work in your manuscript without making you question your ability as a writer. She goes through the strengths and weaknesses of your submissions with thought, care and encouragement.”

“Carrie’s feedback is specific, insightful and extremely helpful. She is truly invested in helping each of us move forward to make our manuscripts the best they can be.”

“Carrie just happens to be one of those rare cases of extreme talent and excellent coaching.”

People are saying super nice things about me, which is so kind of them because helping people on their writing journeys and their craft and supporting them? That’s pretty boss, honestly.

FLYING AND ENHANCED – THE YOUNG ADULT SCIENCE FICTION SERIES

Cross Buffy with Men in Black and you get… you get a friends-powered action adventure based in the real world, but with a science fiction twist. More about it is here. But these are fun, fast books that are about identity, being a hero, and saying to heck with being defined by other people’s expectations.

This quick, lighthearted romp is a perfect choice for readers who like their romance served with a side of alien butt-kicking actionSchool Library Journal

Sparty knows all about that. More info about that series and all of Carrie’s books is here.

 

Revising a Book Is Sort of Like Hell, Basically, So Take Care of Yourself

Back in 2009, I had just finished the revision of CAPTIVATE (sequel to NEED), and after I happy danced, I pretty much passed out.

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The revision of that book was the hardest revision I ever had to do, basically because during that revision I had to work my brain really hard and I was still pretty new to writing novels.

carriejonesbooks.blog

DURING THAT REVISION:

1. I cut about 40,000 words in two-revision passes.
2. I added about 20,000 more words.
3. I lost all word retrieval skills.
4. I  called everyone I saw BABY  because that was the only word I could retrieve.

5. I lost one friend who didn’t like that I called him BABY and failed to call him back 8,0000 times.
6. I gained three more friends who were into the whole BABY thing.
7. I wondered why I was a writer 74 times (a day).

My whole life went on hold I made lists like this:

Tomorrow I will have to:

1. Call my father who thinks I don’t love him anymore and doesn’t understand that I can’t talk to him in the middle of work when he always talks for at least an hour and it totally ruins my ability to think.

2. Email my mother who is much more understanding.

3. Do push-ups.

4. Pass out again.

5. Reply to blog comments.

Yes, that’s how bad it was. I put ‘pass out’ on my list of things to do.

Revision can be tough especially when there’s a whole lot of pressure on you. To be the best writer and person you can be, you have to take care of yourself, not just your book.

carriejonesbooks.blog

So here are some tips on how to stay healthy while revising

Get Some Sleep

I know! I know! Writers are supposed to write until they are slumped over their desk and drooling on their keyboard, but this is not actually healthy!

Your brain becomes less efficient the more it needs sleep. So no all-nighters, writing friends.

Have Healthy Snacks, Not Sugary Ones.

Sugar makes you fluctuate between big highs and lows. Nobody wants that.

Stand Up A Lot

Sitting at the desk forever isn’t good for you. Stand up and work whenever you can or at least take breaks from the sitting.

Get Exercise

This is right there with not sitting at your desk all the time, but I made it two separate points. If you take the time to work out before you do your actual writing work, it helps keep you focused and awake.

Drink Water

Dehydrated writers are writers who faint. Fainting is romantic in books, but in real life it leads to concussions. Concussions lead to missed deadlines. Nobody wants that.

Do Good Wednesday

Be a kindness ambassador. I know! I know! It sounds corny, but I’m so super serious. Leave a note, a present, anonymously somewhere in your town or school for someone specific or anyone at all.

Need a specific idea on how to do this? There used to be a blog called Secret Agent L (I think) where the person in charge of the blog went around their town doing this sort of thing. It was cool.

The link is here.

carriejonesbooks.blog

Random Marketing and Book Things Since I am an Author and Need To Make Money.

I KNOW! I’M NOT SUPPOSED TO ADMIT IT. 

My nonfiction picture book about Moe Berg, the pro ball player who became a spy was all official on March 1 and I’m super psyched about it. You can order it!

Kirkus Review says:   A captivating true story of a spy, secret hero, and baseball player too.

The Spy Who Played Baseball

 

 

 

 

 

 

 

The podcast, DOGS ARE SMARTER THAN PEOPLE, has a new podcast that came out Tuesday. All the episodes links are on this page.

This podcast is weird, quirky, and totally authentic. I mean, you can tell we are goofy people just trying to share some writing tips and life tips and we are not sitting in the NPR studio. I mean look at us. We’re total dorks.

And finally, I made a little video for my TIME STOPPERS books.

Time Stoppers’s third book comes out this summer. It’s been called a cross between Harry Potter and Percy Jackson, but with heart. It takes place in Acadia National Park in Bar Harbor, Maine. I need to think of awesome ways to promote it because this little book series is the book series of my own middle grade heart. Plus, I wrote it for the Emster. Plus, it is fun.

Wednesday Writing Wisdom – Sometimes Revision is Hell.

A question

Before I get to the blog post, I have a question. Should my Wednesday theme be Wednesday Writing Wisdom or Do Good Wednesday? Can it be both? Are there rules about this sort of thing in the blogging world? Please help.

Actually, that was more than one question. Sorry!

We now return to our regularly scheduled blog post.

 

Hello, this is Grover, Carrie’s adorable, furry blue monster of a cheerleader and I have an important message today:

CARRIE IS IN REVISION HELL!

Yes, it is true, and I, the adorable furry blue muppet monster have given up trying to tell her that she can make this manuscript anything good at all. In fact, I, Grover, think I may have to terminate my existence as Cawwie’s cheerleader.

Things got a little rough yesterday. I went from happy, cuddly Grover

to CAN I GO HIDE? Grover.

Unfortunately, I am not the sort of monster who gives up easily when I have a mission.

Still, I was miserable! I was desolate! 74,815 words of exposition, of bad dialog of shaky plots, of Cawwie spending hours wondering why there is the word dialog is not spelled dialogUE.

“I want it to have a ue,” Cawwie kept muttering. “Why is there no ue? ARGHHHHHHH…..”
It got a bit too much for me, Grover. I, Grover, gave up and went into the liquor cabinet.

“C’mon, Cawwie, do a Hemingway. It’ll make you revise better.”
Cawwie did not sway.

So, I tried to tempt her with a tea pot hot tub action.

“C’mon, Cawwie, a little hot water will get you all mellow and floppy like me.”

It did not work.

Finally, horrified by the glazed look in Cawwie’s eyes, her constant mumbling about vowel sounds and character arcs and plot points, I got serious.

“PUT THE REVISION DOWN, CAWWIE,” I said in a nice, but demanding Muppet way (I was channeling Oscar). “Just step away from the revision and put it down.”

And do you know what she did? She did NOT put the revision down. No! She put me, cuddly, lovable Grover, back in the tea pot! Bad Cawwie! Bad. Luckily, the big, white furry monster that woofs and eats bacon saved me.

So, all you writers out there reading this, let me tell you something: It is good to revise but it is berry, berry bad to torment your inner cheerleader and it is okay to take a break sometimes.

Really. I, Grover, your furry, lovable adorable blue monster am begging you:


TAKE A BREAK! You’ll revise better later, I, Grover, promise you. And monsters keep their promises.

Do Good Wednesday!

I’m pretty heavily involved in Rotary International right now. I mostly go around training club presidents and district leaders and club members about public image and Rotary International, which is basically just about telling Rotary’s story. Yesterday, I got to visit a ridiculously awesome club in Camden, Maine. They fed me. They listened to me babble and they gave me a pen!

They also said I was charismatic about four times. So, obviously doing good is good for the ego. 🙂 Full disclosure: People usually just say that I’m exuberant or quirky. Charismatic was a big step up.

However, even though I do this for Rotary all the time and think that the good that Rotarians do in the world and their local community is amazing, I also want to highlight (occasionally) other ways to do good.

So, here’s another way. If you are a kid, parent or teacher, KIDS THAT DO GOOD, is a great resource that will connect you with ways that you can volunteer and make this world better.

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Writing News

There is one space left in my Write! Submit! Support! for Novelists online class at the Writing Barn. It starts Sunday. It’s a six-month class and the other students are so amazing. The Writing Barn is amazing. You’re amazing too, so come join us if you can!  Here’s the link. 

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