Dive Into The Conflict and Make Your Book Blurb Sing

Dogs Are Smarter Than People: Writing Life, Marriage and Motivation

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Two weeks ago, we started talking about how to write a book blurb for your story and began with the first step, which is a hook. You can check that out here. And the second step is here.

So, if the first step is creating that hook, the second step, according to Shayla Raquel is dangling the characters. Then our next step is what Shaun has no problem doing in real life with anyone other than his own daughter, dive into the conflict.

So:

Create hook
Dangle characters
Dive into conflict

What does “dive into the conflict” mean?

It means that in that book blurb, you want to show your potential reader what the conflict of the story is.

What’s a conflict?

It’s just when one force goes against another while the character tries to get their goal. The character wants something. The conflict is the obstacles that stand in her way. Super simple, right?

Or as Sean Glatch says in Writers.com,

“At its most basic, conflict is the clash of opposing forces with a character’s own pursuit of a goal. The character must overcome these opposing forces to achieve the goal. These opposing forces might take on numerous shapes, and might even exist solely within the character’s own psyche.”

Shayla Raquel has a couple great examples of blurbs that show conflict.

Frederick Starks has it all—a gorgeous wife who was his high school sweetheart, three beautiful children, a mansion and cars others envy, millions in the bank, respected in his community, admired by his employees, loved and respected by loyal friends. He revels in the hard-earned power and control he’s acquired.

As the saying goes, “All that glitters is not gold,” which Starks discovers when gut-wrenching betrayal by his wife sends him over the edge and into a maximum security prison.

—When the Serpent Bites, Nesly Clerge

THE FOURTH STEP

This brings us to the fourth step and that’s DETERMINE THE CONSEQUENCES.

You want to show what is about to happen. It’s that formula we talked about before.

“Conflict (“Character must do this”) + Stakes (“Or this will happen”) = Consequences.”

This is basically showing the reader what will happen if the character does or doesn’t get their goal.

THE FINAL STEP

And the final step according to Shayla Raquel? It’s just DINE ON THE BIG QUESTION, which, of course, makes me hungry.

She writes,

“End your blurb on an intriguing question or a point of tension—something that will convince the reader to take a chance on buying your book.

Example:

Bruce the bear likes to keep to himself. That, and eat eggs. But when his hard-boiled goose eggs turn out to be real, live goslings, he starts to lose his appetite. And even worse, the goslings are convinced he’s their mother. Bruce tries to get the geese to go south, but he can’t seem to rid himself of his new companions. What’s a bear to do?

—Mother Bruce, Ryan T. Higgins

Whew. And there you go.

DOG TIP FOR LIFE

Sometimes, you know, I don’t think about the consequences, but it’s important to or else you might get put in time-out for the dog kennel – Pogie

SHOUT OUT!

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License.

Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Summer Spliff” by Broke For Free.

WE HAVE EXTRA CONTENT ALL ABOUT LIVING HAPPY OVER HERE! It’s pretty awesome.

We have a podcast, LOVING THE STRANGE, which we stream biweekly live on Carrie’s Facebook and Twitter and YouTube on Fridays. Her Facebook and Twitter handles are all carriejonesbooks or carriejonesbook. But she also has extra cool content focused on writing tips here.

Carrie is reading one of her raw poems every once in awhile on CARRIE DOES POEMS. And there you go! Whew! That’s a lot!

LINKS WE MENTION

https://en.wikipedia.org/wiki/List_of_U.S._state_foods

Author: carriejonesbooks

I am the NYT and internationally-bestselling author of children's books, which include the NEED series, FLYING series, TIME STOPPERS series, DEAR BULLY and other books. I like hedgehogs and puppies and warm places. I have none of these things in my life. View all posts by carriejonesbooks

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One special thing about Carrie as a writing coach and teacher is her understanding of writing psychology. She’s well familiar with the pits of uncertainty and the swamps of despondency a writer can step into, and seems to know just the right thing to say to get the struggling person going again, from gentle encouragement to straight-ahead course correction to even the occasional kick in the pants.

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Carrie is also a skilled writing teacher, honing in on the subtlest of details while also keeping the big picture of the story in view. She found the deficits in my story and was able to provide suggestions for solutions without being negative. She understands the difficulty writers encounter in this business and is always ready to help–whether by lifting our spirits or providing resources. I enjoyed having Carrie as my coach and I would highly recommend her to other writers.

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I was in the Write. Submit. Support class from The Writing Barn that was led by Carrie, and it was exactly what I needed. I’ve worked with a lot of different writing teachers and mentors in college classes, my MFA program, a playwriting apprenticeship, and various workshops and residencies, and Carrie was by far one of the best. Her feedback on my writing was extremely helpful but also encouraging and uplifting. She gave us a lot of thought-provoking and beneficial information in the monthly classes that helped me to see my writing from a different perspective. Every month, after our classes or after I received notes from her, I was inspired not only to write and improve my craft but to create in general–to write fiction, to write songs, to write plays, and to write content that would help other creative people and artists.

I also love how supportive Carrie is. She takes the time to really listen to you, encourage you, and support you, no matter where you are in your writing career or what your goals are. I also appreciate that she understands that everyone’s publishing path is different, and I was so grateful that I could turn to her for advice and support as I had to make some difficult decisions about my own career. I miss WSS now that the class is ofter, but fortunately, Carrie continues to produce informative and uplifting content for creatives every day–from her blog posts to her podcasts to her motivational thoughts posted alongside adorable dog photos on social media–and she inspires me to do the same. For anyone looking for a writing mentor/teacher/coach, I can’t recommend Carrie enough.