Celestial Bodies, Sexy Knees and Story Structure via Robert McKee

Dogs Are Smarter Than People: Writing Life, Marriage and Motivation

00:00 / 00:23:17

You can learn a lot about culture by how it looks at what makes a good story and a good story structure.

In Western culture right now, we tend to think of stories as three acts (a beginning, middle, and end with the bulk being in the middle), and with a protagonist or hero or main character (whatever you want to call it) who drives the story forward.

So, it’s sometimes good to remember that there are other ways of making story and other cultures where the bulk might not be in the middle or the main character might not be so proactive. Story reflects who we are as a people.

Nobody keys into this as much as Robert McKee, who is quite the guru of screenwriting and story.

There are three of his maxims, explained by No Film School that really show that.

Those are:

“Your protagonist needs to be the one who makes the decision that brings about the climactic action.

“Is your protagonist driving the story forward? Are their actions and choices putting the story into focus and kicking it into gear? Make sure they are active, and not just along for the ride. Give them something to do.

“Desire in your character is key.

“What does your character want? We talk about goals on here a lot. They need to have a goal, but also the reasoning behind it. That’s where desires come in. I want to solve the case to make the city safer. I want to bring all my friends back from Thanos’ snap. Give them something tangible and obvious.

“Character payoffs should always be emotional unless you have a special reason.

“Think about not only what happens inside your story but how these moments affect people internally. Does someone let a character down, or crush their heart with a rejection? Is there a way to hook that into the goal and show how things evolve within them? What do these emotional hurdles do to them or cause them to do? Let emotion guide the way.”

For literature in our time, right now, and our culture, those are three big keys to making stories that will be purchased and will resonate with readers.

How does that reflect with our life though, right?

DOG TIP FOR LIFE

You’ve got to make things happen. Be the hero of your own story and make your people have emotional rewards when they give you what you want.

COOL WRITING EXERCISE

This is from Robert McKee and his book, Story:

“Lean back and ask, ‘What would it be like to live my character’s life hour by hour, day by day?’ In vivid detail sketch how your characters shop, make love, pray — scenes that may or may not find their way into your story, but draw you into your imagined world until it feels like déjà vu.

“While memory gives us whole chunks of life, imagination takes fragments, slivers of dream, and chips of experience that seem unrelated, then seeks their hidden connections and merges them into a whole. Having found these links and envisioned the scenes, write them down. A working imagination is research.”

PLACE TO SUBMIT

The Bath Novel Award 2024 £5,000 international writing prize

The Bath Novel Award Minerva trophy at the Roman Baths

The Bath Novel Award 2024 is a £5,000 international writing prize for unagented emerging writers who may be unpublished, self-published or independently published.

“We are looking for adult and YA novels in every genre. Initial submissions are your opening 5,000 words and one-page synopsis of a manuscript which is complete at over 50,000 words.

Bath Novel Award 2024 Judge Catherine Cho, Founder of Paper Literary

“The author of 2024’s winning manuscript, as judged by Catherine Cho, founder of the Paper Literary agency, will receive a £5,000 cash prize. The winner will also receive our beautiful Minerva trophy, based on the world famous sculpture in Bath’s Roman Baths.

“All listees win feedback worth £180 on their opening pages from an editorial director at Cornerstones Literary Consultancy. Shortlisted writers also win a compilation of award readers’ comments on their full manuscripts.

“One longlisted writer will also win a place worth £1,980 on the 18 week virtual course Edit Your Novel the Professional Way from Cornerstones Literary Consultancy and the Professional Writing Academy.

“Entries are open worldwide until 31 May 2024. The entrance fee is £29.99 per novel with sponsored places available for writers on a low income.

“Bath Novel Award recipients include Abi Daré for the manuscript of international bestseller The Girl with the Louding Voice, new James Bond author Kim Sherwood for the manuscript of Testament and AP Firdaus for BBC Between the Covers pick Remember, Mr Sharma.”

RANDOM THOUGHT LINK

It’s all about UFOs and story structure in other places. Our link we reference is here.

SHOUT OUT!

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License.

Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Summer Spliff” by Broke For Free.

WE HAVE EXTRA CONTENT ALL ABOUT LIVING HAPPY OVER HERE! It’s pretty awesome.

We have a podcast, LOVING THE STRANGE, which we stream biweekly live on Carrie’s Facebook and Twitter and YouTube on Fridays. Her Facebook and Twitter handles are all carriejonesbooks or carriejonesbook. But she also has extra cool content focused on writing tips here.

Carrie is reading one of her raw poems every once in awhile on CARRIE DOES POEMS. And there you go! Whew! That’s a lot!

LINKS TO LEARN MORE:

About McKee

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Author: carriejonesbooks

I am the NYT and internationally-bestselling author of children's books, which include the NEED series, FLYING series, TIME STOPPERS series, DEAR BULLY and other books. I like hedgehogs and puppies and warm places. I have none of these things in my life. View all posts by carriejonesbooks

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EXPLORE YOUR STORY’S SOUL

It is a blessing Carrie is willing to share her insights and talents with others, because she is a powerhouse of a coach who pushes you to be the best writer you can be. There were times where I was so frustrated with my novel I felt like quitting, and Carrie pulled me from the bog of eternal revisions and dead-ends into a place of hope. She invigorated me to write and write better. Carrie inspired my growth as a writer and a person. She showed me it’s okay (actually, it’s great) to embrace my quirkiness. She tore down walls I didn’t know I had built and gave me the foundation to be a confident writer with direction.

Her feedback centers on developing your authentic voice. She doesn’t try to make you write like anyone else and applauds your uniqueness. She encourages you to push boundaries and explore the soul of your story. She is extremely attentive to character development and plot structure, as well as how those elements resonate with the intended audience and reveal the author’s purpose. She celebrates powerful writing with specific feedback on what works and why it works just as often as she advises on revisions to improve the story. She asks meaningful questions, offers clear examples, and supplies diverse resources to provoke the author to transform their stories in ways they may never have otherwise. She has an innate sense of the heart of a story and digs into its core as if the writing were her own.

I could not more strongly recommend Carrie as a writing coach, because she cares fiercely about your writing, works tirelessly to improve your story, and nurtures you as a writer. She is the coach, the cheerleader, and the team all in one. If you want to get out of your rut or become a better writer, Carrie is the person you want to have by your side.

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One special thing about Carrie as a writing coach and teacher is her understanding of writing psychology. She’s well familiar with the pits of uncertainty and the swamps of despondency a writer can step into, and seems to know just the right thing to say to get the struggling person going again, from gentle encouragement to straight-ahead course correction to even the occasional kick in the pants.

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As a coach and support person, she was phenomenal. I greatly appreciated Carrie’s enthusiasm towards me and the other students. She took the time to know each of us. She was positive and uplifting in her messages, and funny, too!

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I also love how supportive Carrie is. She takes the time to really listen to you, encourage you, and support you, no matter where you are in your writing career or what your goals are. I also appreciate that she understands that everyone’s publishing path is different, and I was so grateful that I could turn to her for advice and support as I had to make some difficult decisions about my own career. I miss WSS now that the class is ofter, but fortunately, Carrie continues to produce informative and uplifting content for creatives every day–from her blog posts to her podcasts to her motivational thoughts posted alongside adorable dog photos on social media–and she inspires me to do the same. For anyone looking for a writing mentor/teacher/coach, I can’t recommend Carrie enough.