Don’t Vomit in the Taxi and How to Tell a Good Story in Three Quick Steps

Don’t Vomit in the Taxi and How to Tell a Good Story in Three Quick Steps

 
 
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This week Carrie was in Georgia hanging out with her daughter who had just had an operation. Her daughter is fine! Anyways, on the way to the airport at 4 a.m., the taxi driver told her story after story, mostly about the drunk people from Fort Benning who had ridden in his cab. 

He was an amazing story teller and I realized that sometimes writing is just like telling a big anecdote. And you don’t want to be boring. We all know the people who have super boring anecdotes that just go on and on, right? You don’t want to be that person! 

The Three Quick and Simple Steps For Telling a Good Anecdote or writing a Good Story

Hook them in

This is the attention grabber. 

Tell an actual story

Tell a real story, not just a bunch of random details. Let it have a beginning, a middle and an end. 

Give a Moment to Let the Message Sink In

Your story has a point, right? Let us understand what that point is. Don’t rush the ending. Show how your anecdote or your novel or your story reflects a bigger piece of life. Let it resonate. 


Writing Tip of the Pod

Give your story a point. 

Dog Tip for Life

Do whatever you can to get their attention. Hook them in. 

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.


WHERE TO FIND US

The podcast link if you don’t see it above. Plus, it’s everywhere like Apple Music, iTunesStitcherSpotify, and more. Just google, “DOGS ARE SMARTER THAN PEOPLE” then like and subscribe.


Big News!

I’m about to publish a super cool adult novel. Gasp! I know! Adult! That’s so …. grown-up?

Rosie Jones, small town reporter and single mom, is looking forward to her first quiet Maine winter with her young daughter, Lily. After a disastrous first marriage, she’s made a whole new life and new identities for her and her little girl. Rosie is more than ready for a winter of cookies, sledding, stories about planning board meetings, and trying not to fall in like with the local police sergeant, Seamus Kelley.

But after her car is tampered with and crashes into Sgt. Kelley’s cruiser during a blizzard, her quiet new world spirals out of control and back into the danger she thought she’d left behind. One of her new friends is murdered. She herself has been poisoned and she finds a list of anagrams on her dead friend’s floor. 

As the killer strikes again, it’s obvious that the women of Bar Harbor aren’t safe. Despite the blizzard and her struggle to keep her new identity a secret, Rosie sets out to make sure no more women die. With the help of the handsome but injured Sgt. Kelley and the town’s firefighters, it’s up to Rosie to stop the murderer before he strikes again.

You can preorder it here. Please, please, preorder it. 

So, um, please go buy it. I am being brave, but that means that despite all my reasons for doing this, I’m still terrified that nobody will buy it and I really, really love this book. A lot.


LEARN WITH ME AT THE WRITING BARN!

The Write. Submit. Support. format is designed to embrace all aspects of the literary life. This six-month course will offer structure and support not only to our writing lives but also to the roller coaster ride of submissions: whether that be submitting to agents or, if agented, weathering the submissions to editors. We will discuss passes that come in, submissions requests, feedback we aren’t sure about, where we are feeling directed to go in our writing lives, and more. Learn more here! 

“Carrie’s feedback is specific, insightful and extremely helpful. She is truly invested in helping each of us move forward to make our manuscripts the best they can be.”

“Carrie just happens to be one of those rare cases of extreme talent and excellent coaching.”


IN THE WOODS – READ AN EXCERPT, ORDER NOW!

My new book, IN THE WOODS, is out!

Gasp!

It’s with Steve Wedel. It’s scary and one of Publisher’s Weekly’s Buzz Books for Summer 2019. There’s an excerpt of it there and everything! But even cooler (for me) they’ve deemed it buzz worthy! Buzz worthy seems like an awesome thing to be deemed!

Order this bad boy, which might make it have a sequel. The sequel would be amazing. Believe me, I know. It features caves and monsters and love. Because doesn’t every story?

In the Woods
In the Woods

ART NEWS

Becoming

Buy limited-edition prints and learn more about my art here on my site. 

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How to Be A HAPPY writer, Big Foot, Statues that Pee

How to Be A HAPPY writer, Big Foot, Statues that Pee

 
 
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This week’s podcast is about something really important. It’s about remembering to have fun. For a lot of us, life has a ton of stressors and responsibilities. We have to make enough money to survive. We have to take care of our family and ourselves. We have to deal with a world and not succumb to constant catastrophic thinking about the state of the world. 

It’s easy to forget to have fun. 

Or to feel guilty about having fun. 

Or to feel guilty about having hobbies. 

And here’s the thing. It’s great to be a professional writer and make money at something you love to do, but you don’t have to make money at it. A lack of financial rewards for your efforts doesn’t mean you’re a failure. It just means you aren’t getting money. 

And money, my friends, is not everything. 

What is everything? Having fun. Growing. Enjoying your damn self in this short amount of time you have on this world, making yourself wiser and stronger and embracing your moments of joy. Everyone who sings in the shower isn’t expected to make money at singing in the shower. That should go for those of us who write too. 

Here’s the truth: You can write solely for the joy of writing. 

Don’t let other people’s opinions or standards give you or your writing validation. Don’t let the pressure for external measures of success (publication, an agent, an award, 100,000 social media followers) ruin your joy in creating stories. 

Here are Five Quick Steps to Reclaiming That Joy

  1. Rest when you need to. Take care of your body. Eat food. Drink water. The simple things that all us living organisms should be doing.
  2. Don’t have buttheads for friends. Be with people who make you happy and support you and inspire you. Ditch the others. 
  3. Go outside. Seriously. Go out of the building. Feel the air. You are part of this earth. Remember this and take care of it, too. Study a flower, a rock, a tree. It’ll make you a better writer, too. Notice the whole. 
  4. Be grateful for the good stuff that happens. What do you have? You’re reading this, or listening. That means you have enough that allows you to do that. Pretty cool, right? 
  5. Open your mind and your heart. Try not to be so super judgmental. Be generous and chill when you can. 

Writing Tip of the Pod

If writing isn’t your profession and isn’t feeding you and your family. It’s okay to stop if it’s not giving you joy. Wait until it gives you joy and go back to it. Also, remember that y-o-u-r  (your) means belonging to you and y-o-u-r-apostrophe-e(you’re) means you are.

Dog Tip for Life

It’s good to have a pack of humans to clean up after you. That way you can enjoy life and be messy when you slobber on the windows barking enthusiastically at the Fed Ex guy. Try to find a good pack of humans to be your clean-up crew. 

Sponsor

This podcast was sponsored by BookNotes and this link sets you up for a free seven-day trail. 

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.


WHERE TO FIND US

The podcast link if you don’t see it above. Plus, it’s everywhere like Apple Music, iTunesStitcherSpotify, and more. Just google, “DOGS ARE SMARTER THAN PEOPLE” then like and subscribe.

This week’s podcast link.

Last week’s podcast.

BIG NEWS! 

I’m about to publish a super cool adult novel. Gasp! I know! Adult! That’s so …. grown-up? 

The Places We Hide by Carrie Jones
The Places We Hide by Carrie Jones

I have a new book coming out!

Rosie Jones, small town reporter and single mom, is looking forward to her first quiet Maine winter with her young daughter, Lily. After a disastrous first marriage, she’s made a whole new life and new identities for her and her little girl. Rosie is more than ready for a winter of cookies, sledding, stories about planning board meetings, and trying not to fall in like with the local police sergeant, Seamus Kelley.

But after her car is tampered with and crashes into Sgt. Kelley’s cruiser during a blizzard, her quiet new world spirals out of control and back into the danger she thought she’d left behind. One of her new friends is murdered. She herself has been poisoned and she finds a list of anagrams on her dead friend’s floor. 

As the killer strikes again, it’s obvious that the women of Bar Harbor aren’t safe. Despite the blizzard and her struggle to keep her new identity a secret, Rosie sets out to make sure no more women die. With the help of the handsome but injured Sgt. Kelley and the town’s firefighters, it’s up to Rosie to stop the murderer before he strikes again.

You can preorder it here. Please, please, preorder it. 

So, um, please go buy it. I am being brave, but that means that despite all my reasons for doing this, I’m still terrified that nobody will buy it and I really, really love this book. A lot.

Dealing With Distractions and Trolls and Panting Dogs

Dealing With Distractions and Trolls and Panting Dogs

 
 
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How do you write (or live) when you’re surrounded by distractions? Recently, a great teacher was talking to me about me being his writing coach, but he was hesitant to start right now because of his new class load. 

I’m a seize the moment kind of human because I always expect to die tomorrow. That ticking-clock point of view keeps me moving and going despite distractions, but I know not everyone is that way. 

When I was a newspaper editor and Em was little, I was always dealing with distractions and I would write anywhere – at a planning board meeting, at a swim meet, at the Y on the bike, waiting in the car to pick Em up after school, in bed, standing at the counter, anywhere and everywhere. Noise was everywhere. Ten-year-olds would be having sleep-overs. Dinner would need to be made. Dogs would be barking.

And I would write. 

I knew that if I wanted to write, then I had to write. And to do that? I had to force my brain to filter though the distractions and be in the flow. 

So how do you do that? 

According to an article on the Entrepeneur by Deep Patel, which we’ve linked to in the notes for this podcast, there are several decent methods for dealing with distractions.

Make It Chill

He says to, “Begin building habits that help you eliminate distractions and stay focused. Start by creating an environment in which you’re less tempted to get preoccupied with something other than what you’re working on.”

That means make things quiet. Close your door. Turn off the cell. 

Make Pretend Deadlines

Deadlines make us focus. Make small time limits for you to get your work done instead of giving yourself all day to get your priorities done. I (Carrie) do this all the time, actually and even stress about my completely self-imposed deadlines. That anxiety sucks, but that focus? It makes me get a lot of things done. 

Get into The Pondoro Method

What is this? It sounds sort of x-rated, right? It’s not. 

Patel explains it as a method “in which you set a timer and are completely focused on a task for a period of time, such as 45 minutes straight. Then allow yourself a 15-minute break.”

It’s actually another thing Carrie does all the time, only she’s a 50-10 split. She also makes herself stand for that 10 minutes because she’s afraid of Dead Butt Syndrome, which we talked about in an earlier podcast. You should look it up. It’s wild in a dead-butt kind of way.

There you go. Three hot tips to help keep yourself from being distracted in 2020. 

Writing Tip of the Pod

Don’t let distractions become your attention.

Dog Tip for Life

Pant throughout the podcast, look cute, and rest your muzzle on someone’s knee.

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.


WHERE TO FIND US

The podcast link if you don’t see it above. Plus, it’s everywhere like Apple Music, iTunesStitcherSpotify, and more. Just google, “DOGS ARE SMARTER THAN PEOPLE” then like and subscribe.

Last week’s podcast


Big News!

I’m about to publish a super cool adult novel. Gasp! I know! Adult! That’s so …. grown-up? I’ll be sending out more news about this soon! 

Sparty Daily Wisdom (as seen on Twitter)


Some days you might not feel super wise.

You might accidentally get kitty litter smeared into your side while indulging in your secret nasty addiction.


Your humans who love you will STILL love you. Mistakes happen. But so does joy. Hold onto the joy not the mistakes.

Sparty Dog
Continue reading “Dealing With Distractions and Trolls and Panting Dogs”

Mr. Taco and New Year New You? Maybe. If you’re feeling it.

Mr. Taco and New Year New You? Maybe. If you’re feeling it.

 
 
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New Year? New You?


This week on the podcast we talk about:Mr. Taco, Attacking Seagulls, Doing the Raccoons, and Goals. Also, Shaun sings.

So it’s the New Year and as we all know it’s all about goals and looking back and creating our lives in a new way.

People are spending money on exercise equipment and diet food and all that, but you know what? The you that you are? It’s totally fine.

Writers especially feel pushed towards outside affirmations and validations.

We think, “If I traditionally publish a book, I’ve made it. I’m a writer.” Or we might think, “If my self-published book sells 100 copies, I’ve made it.” Or even, “If I get 10,000 Twitter followers, then I’ve made it.”

Here’s the thing though.

You are a person in a moment.

Every moment that you write? You are a writer.

You don’t have to aim for any goals other than the goal of self realization.

You are a writer by writing, not because you hit a list or make an editor you’ve never met buy your story or a critic that you’ll never know give you five stars.

Writing is communication and exploration. It is craft and art. It’s all these things bundled together and just like you – the writer – the human – it is shiny and real and just fine the way it is.

You are a writer by writing. You are a human because you do human things.

This year maybe we can give others and especially ourselves the empathy to not judge each other by our end goals, but by our journey and actions that we perform every day or every week, by how we create our stories and our families and our communities.

It’s okay to just write. It’s okay to just be.

Let the goals that you create be about process as much as they are about achievement.

And have a happy new year as you, not a new you, but the you that you are, right now, in this moment, a beautiful, shiny soul.

Writing Tip of the Pod

Three obstacles are important in your story especially if it’s a picture book about a seagull trying to nab a French fry.

Dog Tip For Life

Life is about community. Make your community good.

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.


WHERE TO FIND US

The podcast link if you don’t see it above. Plus, it’s everywhere like Apple Music, iTunesStitcherSpotify, and more. Just google, “DOGS ARE SMARTER THAN PEOPLE” then like and subscribe.

Last week’s podcast

Continue reading “Mr. Taco and New Year New You? Maybe. If you’re feeling it.”

Are You Drama or Melodrama, Baby?

Are You Drama or Melodrama, Baby?

 
 
00:00 / 00:21:10
 
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At its most basic a story’s components are these – a beginning, a middle, an end. 

The beginning is the situation or set up.

The middle are the complications.

The end is the resolution.

Our lives are like this too. We begin in certain circumstances. We live and encounter complications and then we end. 

But even within that simplified construction there are divisions. There are vertical stories and linear stories, which is a fancier way of saying stories that are character driven or plot driven. 

Linear – plot driven

Vertical – character driven.

But the key word is up there twice and that’s – driven. We drive the stories we write and we also have to drive the stories that we live, controlling our own destiny so that we can handle the murky middles and complications and so that by the time we get to the resolution, we can feel satisfied by who we are and what we’ve done. 

We tend to think of stories as either or. They are plot driven or they are character driven, but the truth is that most stories are intertwined. 

And then there’s drama and melodrama. I think people can be roughly categorized as these types, too, but we can oscillate between the two. 

A drama is usually more realistic. People will ponder things. The set might be a bit depressing or quirky or dull because – well, because real life involves these things, too. 

A melodrama usually involves a chase sequence.  The scenery rushes by quickly. There are things – all the things – happening. 

What kind of story you’re writing is an important first step to think about even if you’re a writer who doesn’t outline ahead of time. What kind of life you’re living? That’s an even more important thing to think about honestly. 

So what are you? Are you drama? Or are you melodrama? Are you linear or vertical? Do you oscillate between them all? 


Writing Tip of the Pod: 

Think about stuff.

Dog Tip for Life:

Be the drama or melodrama or middle-drama that you want to be? Also, it’s okay to be a drug cocktail.

The New York Post article we reference in the podcast is by Lindsay Putnam. 

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.

The podcast link if you don’t see it above. Plus, it’s everywhere like Apple Music, iTunes, Stitcher, Spotify, and more. Just google, “DOGS ARE SMARTER THAN PEOPLE” then like and subscribe.

Continue reading “Are You Drama or Melodrama, Baby?”

Florida Man and the Queen of Kittens

Florida Man and the Queen of Kittens

 
 
00:00 / 00:18:03
 
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Stories are about people having emotions. Writers who write from their heads (outlining like crazy, etc,) are often missing out on the emotion because they are analyzing how to show emotion. 

But it’s desire and yearning that makes stories stand out and makes writers into artists and truth tellers. 

Robert Olen Butler says that yearning creates a dynamic of desire and that dynamic of desire creates plot and story. The need, the yearning, the want, is something that needs to bleed out into the page and it does. It does. 

Good stories have two epiphanies in them that use this yearning. The first epiphany shows up early in the story where all the details culminate to show the reader what it is that the main character wants. The reader gets it, responds, relates, understands and yearns for it too – yearns for it enough to turn the page and keep reading. 

The second epiphany is basically the climax or the story’s crisis. The main character is fully committed to her desire and she is at that make-or-break point and we’re there with her. 

The difference between regular books and books that rock your soul is that they are about wants, not about yearnings. Yearnings are bigger than wants. They are the desire of the inside. The foe blocks that desire, that attempt to fulfill yearnings. The character responds. And that is plot. 

Writers Tip of the Pod

Make your characters yearn.

Dog Tip For Life

Go after what you yearn for. 

Random Thoughts

In our random thoughts this week you get to hear:

  • Shaun fail to see his beer advent calendar
  • The Queen of Kittens talk about BTX
  • Florida Men and the things you do
  • Christmas Tree success.

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.


This Week’s Podcast


WRITING NEWS

LEARN WITH ME AT THE WRITING BARN!

The Write. Submit. Support. format is designed to embrace all aspects of the literary life. This six-month course will offer structure and support not only to our writing lives but also to the roller coaster ride of submissions: whether that be submitting to agents or, if agented, weathering the submissions to editors. We will discuss passes that come in, submissions requests, feedback we aren’t sure about, where we are feeling directed to go in our writing lives, and more. Learn more here! 

“Carrie’s feedback is specific, insightful and extremely helpful. She is truly invested in helping each of us move forward to make our manuscripts the best they can be.”

“Carrie just happens to be one of those rare cases of extreme talent and excellent coaching.”

IN THE WOODS – READ AN EXCERPT, ORDER NOW!

My new book, IN THE WOODS, is out!

Gasp!

It’s with Steve Wedel. It’s scary and one of Publisher’s Weekly’s Buzz Books for Summer 2019. There’s an excerpt of it there and everything! But even cooler (for me) they’ve deemed it buzz worthy! Buzz worthy seems like an awesome thing to be deemed!

Order this bad boy, which might make it have a sequel. The sequel would be amazing. Believe me, I know. It features caves and monsters and love. Because doesn’t every story?

In the Woods
In the Woods


ART NEWS

Bar harbor arts
Carrie Jones Art

Buy limited-edition prints and learn more about my art here on my site. 

PATREON OF AWESOME

Get exclusive content, early podcasts, videos, art and listen (or read) never-to-be-officially published writings of Carrie on her Patreon. Levels go from $1 to $100 (That one includes writing coaching and editing for you wealthy peeps). 

Check it out here. 

WHAT IS PATREON? 

A lot of you might be new to Patreon and not get how it works. That’s totally cool. New things can be scary, but there’s a cool primer HERE that explains how it works. The short of it is this: You give Patreon your paypal or credit card # and they charge you whatever you level you choose at the end of each month. That money supports me sharing my writing and art and podcasts and weirdness with you. 

Last week’s podcast.

Yo! We’re High Concept.

Yo! We’re High Concept.

 
 
00:00 / 00:23:45
 
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So there’s a quick and easy way to figure out who you are and who you want to be, but also figure out what your book is and what it wants to be. 

It’s called the high concept. It’s the dramatic question. It’s the way you describe in a quick captivating phrase all the energy inside your novel. 

You can also do this for your life: 

Like mine would be: Latchkey kid overwhelmed by family secrets sets out to find out who she is in a world that really couldn’t give a crap. 

Sorry! Sorry! That’s so negative. 

How about: Stuck in small-town New Hampshire, a weird psychic kid manages to survive thanks to her intellect until a rapist gives her a disease that attacks her brain. She survives anyways. 

There are sort of standard questions for every genre of story and movies. Will they fall in love? Will the killer be caught? Will our hero survive the zombie gerbils? Will the events of our youth make us into fractured adults? 

Don’t be shy about what your story is about. Will ET make it home? Will the Skywalkers go to the dark side – all of them? Will the Avengers defeat Thanos? Will Hugh Grant fall in love with someone in a fulfilling way? Even ghost ‘reality’ shows on tv have a dramatic question – Will they catch evidence – real evidence of the ghosts? Will they get possessed? Will they survive the night in the haunted castle? 

An awesome dramatic question isn’t enough to make something a bestseller, but it’s an important start. Go get one. For your life and your story. 

Next add in the obstacles. What’s making it complicated for ET to get home? For the ghost hunters to find evidence? Add those obstacles up so that we doubt that dramatic question is going to have a good answer. 

Finally, make sure that your hero is someone with some damn strong convictions. ET knows he has to get home, right? Scarlett O’Hara is positive she has to marry that Ashley guy. Harry Potter/Iron Man/Captain America/Black Widow must defeat Voldemort/Thanos/Whatever Big Bad you want to insert. 

That character’s super strong convictions are what makes us root for them. We feel that conviction. The stakes resonate. 

Writing Tip of the Pod:

Make a dramatic question.

Add obstacles.

Make your character have convictions.

Dog Tip For Life

Make a dramatic question.

Realize you have obstacles.

Make yourself have the convictions to bash through those obstacles.

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.

LAST WEEK’S PODCAST LINK!

WRITING NEWS

LEARN WITH ME AT THE WRITING BARN!

The Write. Submit. Support. format is designed to embrace all aspects of the literary life. This six-month course will offer structure and support not only to our writing lives but also to the roller coaster ride of submissions: whether that be submitting to agents or, if agented, weathering the submissions to editors. We will discuss passes that come in, submissions requests, feedback we aren’t sure about, where we are feeling directed to go in our writing lives, and more. Learn more here! 

“Carrie’s feedback is specific, insightful and extremely helpful. She is truly invested in helping each of us move forward to make our manuscripts the best they can be.”

“Carrie just happens to be one of those rare cases of extreme talent and excellent coaching.”

IN THE WOODS – READ AN EXCERPT, ORDER NOW!

My new book, IN THE WOODS, is out!

Gasp!

It’s with Steve Wedel. It’s scary and one of Publisher’s Weekly’s Buzz Books for Summer 2019. There’s an excerpt of it there and everything! But even cooler (for me) they’ve deemed it buzz worthy! Buzz worthy seems like an awesome thing to be deemed!

Order this bad boy, which might make it have a sequel. The sequel would be amazing. Believe me, I know. It features caves and monsters and love. Because doesn’t every story?

In the Woods
In the Woods


ART NEWS

Buy limited-edition prints and learn more about my art here on my site. 

This image has an empty alt attribute; its file name is IMG_9486.jpg

PATREON OF AWESOME

Get exclusive content, early podcasts, videos, art and listen (or read) never-to-be-officially published writings of Carrie on her Patreon. Levels go from $1 to $100 (That one includes writing coaching and editing for you wealthy peeps). 

Check it out here. 

WHAT IS PATREON? 

A lot of you might be new to Patreon and not get how it works. That’s totally cool. New things can be scary, but there’s a cool primer HERE that explains how it works. The short of it is this: You give Patreon your paypal or credit card # and they charge you whatever you level you choose at the end of each month. That money supports me sharing my writing and art and podcasts and weirdness with you. 

THE WEEK BEFORE LAST WEEK’S PODCAST! 

LASt WEEK’S PODCAST LINK!

Motivation and Creativity And Hand Pies

Motivation and Creativity And Hand Pies

 
 
00:00 / 00:27:14
 
1X
 

We all want to be creative. We all want to be amazing at relationships. This guy, Benjamin Hardy, PHD, wrote an article on Medium exactly about that. It’s called “21 Behaviors that will make you brilliant at creativity and relationships.” 

Basically, his article is saying that people limit themselves by defining who they are, what they can do, and what resources they have. This article is wildly popular with 31,000 likes, which means he’s made a ton of money off this point of view. And with over 19,000 Twitter followers, Mr. Hardy is pretty popular, too.  He has posts that link to his articles like “10 Steps to Being a Millionaire in 5 Years (or Less).”

If you look at his twitter posts, you’ll find a lot of encouraging things about success and motivation and morning routines that guarantee success.

But we’re talking about just the first point in his article., which is that a goal must be wild and huge. It must be urgent with a time component. It must motivate you and he quotes Napolean Hill who wrote in the book, Think and Grow Rich, “Desire is the starting point of all achievement, not a hope, not a wish, but a keen pulsating desire which transcends everything.” 

This is lovely. 

He also quotes Marcus Aurelias, a Roman emperor. And also Canadian author Justine Musk, who he introduces as only, “Elon Musk’s wife.” 

There are a lot of white men talking and quoting and thinking going on in the first few paragraphs of Dr. Hardy’s piece. It’s all about going after what you want and making no excuses about your situation or self because those things will make you fail.

There are twenty more points in Dr. Hardy’s article, but we’re only going to talk to the first one because it relates to writing and why so much writing falls flat. 

He writes: 

As with all things in life, you get what you want. If you prefer to make excuses and justifications for a lack of progress, then just admit you prefer your current station in life. Self-acceptance can be a beautiful thing.

However, once you desire progress more than convenience, obstacles no longer stop but propel you. As the Roman emperor Marcus Aurelius is famous for saying,“The impediment to action advances action. What stands in the way becomes the way.”

Hardy, per Medium article cited above

You have to have your main character have a desire and they need to pulsate with it. Your main character needs to be passionate about something. They need to go after those passions. There needs to be a bit of urgency about them. The obstacles that happen are the ones that your character needs to smash through in order to get to what she wants. 

What is it your character wants more than any damn thing in the world?

Who does your character have to be to get that? 

Now, how about you?

What do you want more than any damn thing in the world? 

Who do you have to be to get that?

Writing Tip of the Pod: 

In life, Hardy says that our ambitious goals must be: 

  1. Full of a motivating desire
  2. Hard as hell
  3. Tied to a timeframe to make them urgent.

Do this for your characters, too.

Dog Tip for Life

Don’t be afraid to remember you aren’t a solo show. Think about who can help you become who you want to be and achieve what you want to do. 

Random Thoughts

If you listen to the podcast, you’ll hear:

  • Us cooking hand pies and Shaun’s delightful name for a hand-pie take-out window
  • Carrie ranting about articles
  • Carrie worrying about meeting Shaun’s aunt

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.

THIS WEEK’S PODCAST LINK!

Writing News

LEARN WITH ME AT THE WRITING BARN!

The Write. Submit. Support. format is designed to embrace all aspects of the literary life. This six-month course will offer structure and support not only to our writing lives but also to the roller coaster ride of submissions: whether that be submitting to agents or, if agented, weathering the submissions to editors. We will discuss passes that come in, submissions requests, feedback we aren’t sure about, where we are feeling directed to go in our writing lives, and more. Learn more here! 

“Carrie’s feedback is specific, insightful and extremely helpful. She is truly invested in helping each of us move forward to make our manuscripts the best they can be.”

“Carrie just happens to be one of those rare cases of extreme talent and excellent coaching.”

IN THE WOODS – READ AN EXCERPT, ORDER NOW!

My new book, IN THE WOODS, is out!

Gasp!

It’s with Steve Wedel. It’s scary and one of Publisher’s Weekly’s Buzz Books for Summer 2019. There’s an excerpt of it there and everything! But even cooler (for me) they’ve deemed it buzz worthy! Buzz worthy seems like an awesome thing to be deemed!

Order this bad boy, which might make it have a sequel. The sequel would be amazing. Believe me, I know. It features caves and monsters and love. Because doesn’t every story?

In the Woods
In the Woods


ART NEWS

Buy limited-edition prints and learn more about my art here on my site. 

This image has an empty alt attribute; its file name is IMG_9486.jpg

PATREON OF AWESOME

Get exclusive content, early podcasts, videos, art and listen (or read) never-to-be-officially published writings of Carrie on her Patreon. Levels go from $1 to $100 (That one includes writing coaching and editing for you wealthy peeps). 

Check it out here. 

WHAT IS PATREON? 

A lot of you might be new to Patreon and not get how it works. That’s totally cool. New things can be scary, but there’s a cool primer HERE that explains how it works. The short of it is this: You give Patreon your paypal or credit card # and they charge you whatever you level you choose at the end of each month. That money supports me sharing my writing and art and podcasts and weirdness with you. 

LAST WEEK’S PODCAST!

This week’s podcast link!

Lick the Kitten, Embrace Your Vulnerability

Lick the Kitten, Embrace Your Vulnerability

 
 
00:00 / 00:23:12
 
1X
 

Shaun: A week or so ago, someone told Carrie that she’d be better served if she didn’t present as insecure on her social media. 

Carrie: For the record, I am just open about when I’m scared about things. I’m not sure insecurity is the same as fear. I mean, I guess it is to a certain extent. But I’m not insecure about who I am. I like who I am, an occasionally anxious, goofy, smart, creative, quirky, open-book kind of  person. Does that sound like who I am? 

Shaun: Pretty much.

Carrie: Anyways, here’s the thing. You can pretend to be someone you aren’t. You can present any damn way you choose. But that’s it – it’s your choice. Nobody else’s. 

Shaun: And Carrie? She has no problem being vulnerable. In her book, Daring Greatly, Brene Brown writes that the biggest myth about vulnerability is that it is weakness. And that’s possibly what happened with that person’s comment to Carrie last week.

Carrie: To be fair, about once a year a woman writer, usually older than I am, will tell me to present as more confident because I am strong and talented. They are trying to help me, personally, and the cause of all women, too. I think? But I don’t see the dichotomy between strength and vulnerability. They shouldn’t be on opposite ends of a line. 

Shaun: Brene Brown writes, “We’ve come to the point where, rather than respecting and appreciating the courage and daring behind vulnerability, we let our fear and discomfort become judgement and criticism.” 

Carrie: And she also says this, which I think is how it pertains to writers and artists and this podcast, “Vulnerability isn’t good or bad: It’s not what we call a dark emotion, nor is it always a light, positive experience. Vulnerability is the core of all emotions and feelings. To feel is to be vulnerable. To believe vulnerability is weakness is to believe that feeling is weakness.” 

Shaun: So vulnerability is writing. Because vulnerability is risk and emotional exposure. And even the act of writing is vulnerable because almost the first thing someone asks you is, “Oh? Have I read you?” It’s like they determine your worth just by whether or not you’ve been on a bestseller list or not.

Carrie: Exactly, but just writing and deciding to create is a risk because it’s not the most financially secure thing in the world, but it also is because once you put your creation out there – unlike the accountant – you are vulnerable via ratings and bad reviews and internet trolls, which is massive emotional exposure. But it’s more than that. Writers have to incorporate emotion and vulnerability on the page. They create characters who are meant to tweak the readers’ emotions. Writers are like the tsars of vulnerability. 

WRITING TIP OF THE POD

You are a writer. You are a human. Embrace your ability to take risks, to be vulnerable. Emotions are not weakness. 

DOG TIP FOR LIFE

Allow yourself to lick the kitten in public, adopt those who you love. Be open. Be vulnerable. Love.  

Random Thoughts Included:

  • Carrie’s anxiety about dental surgery
  • Bangor (Maine) City Council Signs
  • Carrie not being dead. We think.

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.

Writing News

Cool Contest of Spooky Awesomeness!

Um. MacMillan is having a super cool sweepstakes where you can win the book I wrote with Steve (IN THE WOODS) and four other scary books.
Go enter! Go win! I’m rooting for you!

In the Paper, Baby

I was just in the newspaper and I think the photo of my head is actually larger than my real-life head. Go figure. It was super kind of them to notice me and to write about me. Here is the link.

LEARN WITH ME AT THE WRITING BARN! 

The Write. Submit. Support. format is designed to embrace all aspects of the literary life. This six-month course will offer structure and support not only to our writing lives but also to the roller coaster ride of submissions: whether that be submitting to agents or, if agented, weathering the submissions to editors. We will discuss passes that come in, submissions requests, feedback we aren’t sure about, where we are feeling directed to go in our writing lives, and more. Learn more here! 

“Carrie’s feedback is specific, insightful and extremely helpful. She is truly invested in helping each of us move forward to make our manuscripts the best they can be.”

“Carrie just happens to be one of those rare cases of extreme talent and excellent coaching.”

IN THE WOODS – READ AN EXCERPT, ORDER NOW!

My new book, IN THE WOODS, is out!

Gasp! 

It’s with Steve Wedel. It’s scary and one of Publisher’s Weekly’s Buzz Books for Summer 2019. There’s an excerpt of it there and everything! But even cooler (for me) they’ve deemed it buzz worthy! Buzz worthy seems like an awesome thing to be deemed! 

Order this bad boy, which might make it have a sequel. The sequel would be amazing. Believe me, I know. It features caves and monsters and love. Because doesn’t every story?

In the Woods
In the Woods


ART NEWS

Buy limited-edition prints and learn more about my art here on my site. 

PATREON OF AWESOME

Get exclusive content, early podcasts, videos, art and listen (or read) never-to-be-officially published writings of Carrie on her Patreon. Levels go from $1 to $100 (That one includes writing coaching and editing for you wealthy peeps). 

Check it out here. 

WHAT IS PATREON? 

A lot of you might be new to Patreon and not get how it works. That’s totally cool. New things can be scary, but there’s a cool primer HERE that explains how it works. The short of it is this: You give Patreon your paypal or credit card # and they charge you whatever you level you choose at the end of each month. That money supports me sharing my writing and art and podcasts and weirdness with you. 

Last WEEK’S PODCAST

Today’s Podcast Link if you can’t see it below or at the top of this post.

Let’s Write a Best Seller

Let’s Write a Best Seller

 
 
00:00 / 00:27:35
 
1X
 

There are a lot of different ways to write a best seller, but the three of the most common features are these:

THREE MAIN HINTS TO MAKE A BEST SELLER

  1. You have to engage the reader.
  2. You have to keep them hooked.
  3. Make them loyal.

Easier said than done, right?

Maybe not.

Think of what your story is about. Can you pitch the idea in less than fifty words? Less than twenty-five? Can you gel its essence down into a quick pitch? That’s the high concept.

High Concept is a Really a big Question

What’s your big dramatic question?

Will the kid survive the evil wizard?

Will the young reporter fall in love with Mr. Bondage?

Will a resourceful young adult survive a pixie apocalypse?

Let the reader know from the very beginning what your story is about. Will Harry Potter survive the dark wizard Voldemort? Will Eleanor and Park fall in love? Who will die in this John Green novel?

Keeping the reader hooked

This is where the obstacles and complications come in.

How do we keep our heroine challenged? What is in his or her way? Will her big dramatic question change into a new dramatic question.

MAKING EMOTION

The other element is that we have to have a character who responds to things emotionally. That’s what makes the story resonate. Our character already has a want. There are complications to the want. But more than that, the hero has to have intense emotions and reactions to those complications.

When Harry Potter has to dig deep and be brave, when he has to look in the Mirror of Desire and confront his deepest longings, when he has to face the wizard, know his friends might die (and on and on), he reacts emotionally and intensely and the stakes of his decisions have emotional consequences that elevate the reader and incite empathy.

Because we feel so connected to that character, we become loyal to that character. When we have that connection and loyalty? That book? It becomes something magical.

Writing Tip of the Pod

The best books hook the readers early, elevate the stakes, and make us connected to the character.

Dog Tip for Life.

Do not stay still. Go after your dreams.

Random Thought Rundown

If you listen to the podcast, you’ll hear:

  • Carrie scream in the car and take the Lord’s name in vain as she sees bear cubs run across the road.
  • Shaun cranky about border patrol agents
  • Big foot talk
  • More beautiful weirdness.

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.

WRITING NEWS

IN THE WOODS – READ AN EXCERPT, ORDER NOW!

My new book, IN THE WOODS, is out!

Gasp! 

It’s with Steve Wedel. It’s scary and one of Publisher’s Weekly’s Buzz Books for Summer 2019. There’s an excerpt of it there and everything! But even cooler (for me) they’ve deemed it buzz worthy! Buzz worthy seems like an awesome thing to be deemed! 

You can order this bad boy, which might make it have a sequel. The sequel would be amazing. Believe me, I know. It features caves and monsters and love. Because doesn’t every story?

In the Woods
In the Woods


ART NEWS

You can buy limited-edition prints and learn more about my art here on my site. 

PATREON OF AWESOME

You can get exclusive content, early podcasts, videos, art and listen (or read) never-to-be-officially published writings of Carrie on her Patreon. Levels go from $1 to $100 (That one includes writing coaching and editing for you wealthy peeps). 

Check it out here. 

WHAT IS PATREON? 

A lot of you might be new to Patreon and not get how it works. That’s totally cool. New things can be scary, but there’s a cool primer HERE that explains how it works. The short of it is this: You give Patreon your paypal or credit card # and they charge you whatever you level you choose at the end of each month. That money supports me sharing my writing and art and podcasts and weirdness with you.