Big Foot Fights and Trailer Sauce and No Flat Writing

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Dogs Are Smarter Than People: Writing Life, Marriage and Motivation
Dogs Are Smarter Than People: Writing Life, Marriage and Motivation
Big Foot Fights and Trailer Sauce and No Flat Writing

A lot of writers will worry that their stories seem flat. There’s a reason that they are worrying about that and it’s one of the core elements of good writing.


You want to vary your sentence structure.

Take a bit of writing that you’ve done that feels flat—or maybe even one that doesn’t. Count the words in your sentences for two or three paragraphs.

Are they all five words? Twelve? Twenty-seven?

That robotic sameness in sentence length is one of the main reasons that writing can feel flat.

It’s like those ancient Dick and Jane books.

See Dick run.

See Jane skip.

See Dick wave.

The other big bugger is when all of your sentences are simple and declarative.

I walk to the forest. The trees are gracious, tall. I inhale the pine scent.

There is actually a whole, entire world of different sentence styles that writers can use and when you use them? That’s when you make your writing shiny and sexy and all the good things.

The names for these structures are pretty boring, honestly, but we’ll try to look beyond that, right?

Simple – You have one main clause.

Carrie is the best wife.

Compound – You have more than one independent clause. You probably use a conjunction.

            Carrie wants to get another dog, but Shaun keeps saying no.

Complex – Oh, the sentence that probably has to pay for a therapist or is reading Foucault obviously in the park. This sentence has an independent clause and a subordinate clause. It’st the BDSM of sentences.

            When hell freezes over, we will allegedly get another dog.

Compound-Complex – It sounds like a place with a cult, right? But it’s just a sentence with at least two independent clauses and one subordinate clause.

Carrie really needs a new dog to love, so Shaun said that they would get one when hell freezes over, so Carrie immediately got some dry ice and sent some down to Lucifer.

Refresher moments:

What’s a clause? A bunch of words chilling out together and one of those words in the group is a verb and another is a noun. Fancy people call the verb, the predicate, but we aren’t fancy here.

What’s an independent clause? It is a bunch of words that has a subject and a predicate. It is grammatically complete all by itself and doesn’t need anyone. Not any other words to stand alone! Darn it.

What’s a subordinate or dependent clause? A bunch of words that needs other words to be a sentence. This poor beautiful baby cannot stand alone and be complete, kind of like a  protagonist in a Hallmark romance.


Vary your sentence structures and don’t be flat.


Variety is good. Don’t eat the same Milkbones all the time. Mix it up.

Be fluffy.

Resources Mentioned in the podcast:


The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. 

Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Summer Spliff” by Broke For Free.


AND we have a writing tips podcast called WRITE BETTER NOW! It’s taking a bit of a hiatus, but there are a ton of tips over there.

We have a podcast, LOVING THE STRANGE, which we stream biweekly live on Carrie’s Facebook and Twitter and YouTube on Fridays. Her Facebook and Twitter handles are all carriejonesbooks or carriejonesbook. But she also has extra cool content focused on writing tips here.

Carrie is reading one of her raw poems every once in awhile on CARRIE DOES POEMS. And there you go! Whew! That’s a lot!

Author: carriejonesbooks

I am the NYT and internationally-bestselling author of children's books, which include the NEED series, FLYING series, TIME STOPPERS series, DEAR BULLY and other books. I like hedgehogs and puppies and warm places. I have none of these things in my life.

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