A Little Bit of Wisdom from a Writing For Children and Young Adults MFA Grad

Ten years ago, I was at Vermont College doing the graduate assistant thing. Everywhere people were engaging in intelligent discourse about craft and me?

Um….

I began the residency by spilling an entire glass of apple juice on the cafeteria table on first semester student, possibly scarring her for life.

To her credit she kept talking about picture books as we mopped up the mess with massive amounts of napkins expounding about the Derridian aspect of Mo Willem’s canon. Yet…

While they were being articulate I, the graduate assistant from the Land of the Socially Awkward (AKA MAINE), was pondering other mysteries of life such as this:

When I left my dorm room Grover and Teddy were hanging out on my bed like this.

But when I returned, they looked like this:

I decided not to care. Instead, I started to lurk around Julie and Shelley, two of the teacher-professor-mentors, in the hopes of trying to gather some of their brilliance.

These ladies? These ladies are hot. They weren’t hot JUST because they were cuties. They were hot because they’ve got brilliance and passion and brains. It’s kind of intimidating.

Me: Hm… Perhaps I will lurk behind them in the lunch line and some of the brain waves will come over to me.

Julie: Shelley? Do you feel someone trying to suck out our brain cells?

Shelley: Yes, I do… Through the power of my amazing brain I can detect that.

Julie (Turning around and pointing): You! What are you doing with that giant suction cup.

Me (hiding suction cup in lentil goulash): Me? Nothing? Nothing!

Me (mumbling to self): Man, foiled again. No extra brain cells. No increased IQ. Darn….

Anyway, Shelley Tanaka’s lecture was called: Mastering the Short Critical Essay: A Closer Look at This Essential Component of the MFA Program

My favorite hints Shelley gave were actually:

1 If you are writing an essay about a book you should read the damn book first

2. Don’t make the thesis statement too big like “All books by Roald Dahl have to do with children.”

She also made some great points about how we must devote ourselves to intellectual thought so that we can make our creative work better.

Julie Larios’ lecture was entitled: How Poetry Works and How It Doesn’t, According to Me

Just the title cracked me up.

Julie said that, “Poetry’s greatest weapon is indirection.”

She even lectured poetically, full of sound and beauty.

Listen to these sentences she said, “The eyes are hearing. The hands are hearing. The soles of the feet are hearing. The heart and the head and the soul and the gut are hearing.”
Julie Larios

My favorite part of her talk was when she discussed how everyone thinks that anyone can write a book and how it is so easy. People perceive of all the different arts as requiring years of practice. Except writing.

“They don’t recognize language as an instrument that you learn to play,” she said. “You have to learn to play the instrument of language.”

You can learn that language by yourself or you can learn it in a super-cool amazing MFA program like Vermont’s College of Fine Arts or the Writing Barn (hint/hint), but you still have to learn it.

I am still learning it even as I teach it. That’s remarkably wonderful.

Julie also recommended we ask these questions about our poetry, but I think we should ask it about ALL our writing.

Here are her questions:

Are you invested primarily in the emotion of the piece?

Are you invested in the information of the piece?

Are you invested only in the sound of the piece?

Favorite Quote Of the Residency (as said by maintenance man upon seeing the third-floor lounge at Dewey: Well, I guess there was a party up here. Man…

I ending up keeping a close eye on Grover and Teddy.

Oh… And let me tell you. My radiator? Totally haunted. It sounded like there is a poodle stuck in there. I think it had something to do with the Grover and Teddy escapades, too.

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WRITING AND OTHER NEWS

ART.

I do art stuff. You can find it and buy a print here.

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TIME STOPPERS!

You can order my middle grade fantasy novel Time Stoppers Escape From the Badlands here or anywhere.

People call it a cross between Harry Potter and Percy Jackson but it’s set in Maine. It’s full of adventure, quirkiness and heart.

Time Stoppers Carrie Jones Middle grade fantasy

MOE BERG

The Spy Who Played Baseball is a picture book biography about Moe Berg. And… there’s a movie out now about Moe Berg, a major league baseball player who became a spy. How cool is that?

It’s awesome and quirky and fun.

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FLYING AND ENHANCED

Men in Black meet Buffy the Vampire Slayer? You know it. You can buy them hereor anywhere.

WRITING COACH

I offer solo writing coach services. For more about my individual coaching, click here.

I am super psyched to be teaching the six-month long Write. Submit. Support. class at the Writing Barn

THERE ARE ONLY TWO SPOTS LEFT AND SIGN-UP ENDS JANUARY 18TH.

So are you looking for a group to support you in your writing process and help set achievable goals? Are you looking for the feedback and connections that could potentially lead you to that book deal you’ve been working towards?

Our Write. Submit. Support. (WSS) six-month ONLINE course offers structure and support not only to your writing lives and the manuscripts at hand, but also to the roller coaster ride of submissions: whether that be submitting to agents or, if agented, weathering the submissions to editors.

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Past Write. Submit. Support. students have gone on to receive representation from literary agents across the country. View one of our most recent success stories here.

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Author: carriejonesbooks

I am the NYT and internationally-bestselling author of children's books, which include the NEED series, FLYING series, TIME STOPPERS series, DEAR BULLY and other books. I like hedgehogs and puppies and warm places. I have none of these things in my life. View all posts by carriejonesbooks

Jason Gallaher, author of WHOBERT WHOVER, OWL DETECTIVE

Writing Coach of Your Dreams

Carrie is the writing coach I always dreamed of having. She has such a great balance in her feedback between singing your praises at what is working and giving you honest criticism at what still needs development. Carrie goes above and beyond in her editorial letters, giving very clear and detailed feedback, and her eagerness to answer any questions makes the whole experience of critique—which can be a very vulnerable experience—make you feel like you’re with a trusted friend that you’ve known for years (even though you just met).

Nancy Stone

Stellar Writing Coach

Carrie is not only whip-smart, savvy, and insightful, she is kind, generous, and real. A stellar writing coach and human being, she gives me priceless creative and professional guidance, but most of all she gives me hope. Her joyful, honest approach to writing is a bright and guiding light.

Michelle Ames

Stellar Writing Coach

Julie Herman

Encouraging Feedback

I met Carrie through an online course offered through the Writing Barn. She was a thorough reader of our work, giving both positive and encouraging feedback. Any fixes she offered were on point and gently given. I felt that my writing grew significantly during the time I spent under her wing.

Stefanie Chou

MAKES IT EASY

I’ve worked with Carrie on multiple novels and she is a wonderful mentor! She is a great teacher and provides excellent feedback with examples, allowing me to learn and grow as a writer. She usually responds with feedback quicker than the agreed time, which is always nice. The best thing about Carrie though is that she is so encouraging. Sometimes it’s hard to have your work critiqued, but Carrie makes it easy. She is so good at heaping on praise while also giving constructive feedback, so it makes you excited to revise, rather than want to give up. I highly recommend her!

Lauren Haynes

EXPLORE YOUR STORY’S SOUL

It is a blessing Carrie is willing to share her insights and talents with others, because she is a powerhouse of a coach who pushes you to be the best writer you can be. There were times where I was so frustrated with my novel I felt like quitting, and Carrie pulled me from the bog of eternal revisions and dead-ends into a place of hope. She invigorated me to write and write better. Carrie inspired my growth as a writer and a person. She showed me it’s okay (actually, it’s great) to embrace my quirkiness. She tore down walls I didn’t know I had built and gave me the foundation to be a confident writer with direction.

Her feedback centers on developing your authentic voice. She doesn’t try to make you write like anyone else and applauds your uniqueness. She encourages you to push boundaries and explore the soul of your story. She is extremely attentive to character development and plot structure, as well as how those elements resonate with the intended audience and reveal the author’s purpose. She celebrates powerful writing with specific feedback on what works and why it works just as often as she advises on revisions to improve the story. She asks meaningful questions, offers clear examples, and supplies diverse resources to provoke the author to transform their stories in ways they may never have otherwise. She has an innate sense of the heart of a story and digs into its core as if the writing were her own.

I could not more strongly recommend Carrie as a writing coach, because she cares fiercely about your writing, works tirelessly to improve your story, and nurtures you as a writer. She is the coach, the cheerleader, and the team all in one. If you want to get out of your rut or become a better writer, Carrie is the person you want to have by your side.

Wendi Kepplinger

Shrinks Fear

Carrie has a gift of encouragement in its truest sense–she searches for what is good in a writer and grows it, she provides perspective that shrinks fear back to size, and she nourishes the kind of confidence and hope so vital for a creative work. Even her criticism is gently done. She is also unfailingly funny! Her comments keep discussions fun and light and create a safe space for people to share and grow. It is clear that she cares and wants our books to succeed.

Cathy Carr

Gentle Encouragement and an Occasional Kick in the Pants

One of the things I enjoyed the most about working with Carrie is that she helped me write the book I wanted to write, not the book she would have preferred I write, or the book she would written in my place. She was vested in helping me express my vision as a writer and as a human being.

One special thing about Carrie as a writing coach and teacher is her understanding of writing psychology. She’s well familiar with the pits of uncertainty and the swamps of despondency a writer can step into, and seems to know just the right thing to say to get the struggling person going again, from gentle encouragement to straight-ahead course correction to even the occasional kick in the pants.

Trista Wilson

A Light for Other Writers

When working with Carrie, I can feel that she is genuinely invested in helping me make my writing the very best it can be. She freely shares her own writing experiences, including the struggles, which helps me not feel alone in those tough moments. She is so positive and encouraging while also giving very specific and thoughtful feedback to help my writing shine. Carrie is truly a light for other writers.

Patti Brown

Positive and Uplifting and Funny

I have known Carrie Jones for many years, and I’ve now had the pleasure of working with her in a professional capacity. Carrie was my writing coach through the WRITE, SUBMIT, SUPPORT program at The Writing Barn.

As a coach and support person, she was phenomenal. I greatly appreciated Carrie’s enthusiasm towards me and the other students. She took the time to know each of us. She was positive and uplifting in her messages, and funny, too!

Carrie is also a skilled writing teacher, honing in on the subtlest of details while also keeping the big picture of the story in view. She found the deficits in my story and was able to provide suggestions for solutions without being negative. She understands the difficulty writers encounter in this business and is always ready to help–whether by lifting our spirits or providing resources. I enjoyed having Carrie as my coach and I would highly recommend her to other writers.

Sara Crawford

By Far One of the Best

I was in the Write. Submit. Support class from The Writing Barn that was led by Carrie, and it was exactly what I needed. I’ve worked with a lot of different writing teachers and mentors in college classes, my MFA program, a playwriting apprenticeship, and various workshops and residencies, and Carrie was by far one of the best. Her feedback on my writing was extremely helpful but also encouraging and uplifting. She gave us a lot of thought-provoking and beneficial information in the monthly classes that helped me to see my writing from a different perspective. Every month, after our classes or after I received notes from her, I was inspired not only to write and improve my craft but to create in general–to write fiction, to write songs, to write plays, and to write content that would help other creative people and artists.

I also love how supportive Carrie is. She takes the time to really listen to you, encourage you, and support you, no matter where you are in your writing career or what your goals are. I also appreciate that she understands that everyone’s publishing path is different, and I was so grateful that I could turn to her for advice and support as I had to make some difficult decisions about my own career. I miss WSS now that the class is ofter, but fortunately, Carrie continues to produce informative and uplifting content for creatives every day–from her blog posts to her podcasts to her motivational thoughts posted alongside adorable dog photos on social media–and she inspires me to do the same. For anyone looking for a writing mentor/teacher/coach, I can’t recommend Carrie enough.