This week’s bonus podcast features the amazing Kim Showalter, a native upstate New Yorker who moved to Detroit.
It’s a homage to moms, books, football, hockey, and the Bills. I hope you’ll give Kim some love and have a listen!
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Thanks to all of you who keep listening to our weirdness on the DOGS ARE SMARTER THAN PEOPLE podcast as we talk about random thoughts, writing advice and life tips. We’re sorry we laugh so much… sort of. Please share it and subscribe if you can. Please rate and like us if you are feeling kind, because it matters somehow. There’s a new episode every Tuesday!
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And to hear our podcast latest episode for DOGS ARE SMARTER THAN PEOPLE, all about Making Sexy Mission Statements and Writing Platforms, click here.
The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Summer Spliff” by Broke For Free.
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So, you want to write a young adult novel and you want it to be bad? I hear you. You’re tired of trying to write good novels for kids. Writing something awful? Well, it’s freeing and everyone cares too much about kids anyway, right?
Here are my tips for writing the worst YA novel you can.
Write like an 88-year old man from a wealthy neighborhood in Connecticut.
You once had a teenager perspective inside you back a few decades ago. That’s over now. You’re a full-fledged curmudgeon. Write like it.
Make sure that the whole book is written like you’re observing things from an ancient, judgmental difference.
Like a total fool, Brandon failed to put money in his IRA or notice that his skin’s taut nature. I laughed at him.
Make sure there is no emotional truth in anything.
You don’t want the readers to identify with any of your characters. What better way to do that than to make sure that they can’t. How do you do that? Make everything bland. Make everything completely lack intensity. Imagine Spock from Star Trek when he’s not in love with Kirk. Channel that.
I fell in love. No metaphors. It happened. Maybe it was gas. I had burritos for breakfast that morning, which always impacts my digestion.
Avoid any real teenagers. Wait. You can yell at them to get off your lawn, but that’s it.
You want a sucky book, right? Make sure you have no current pop references, write in a bubble and have no clue what teenagers care about or even look like. They’re all blue, right?
I wanted to be one of those people who are just there but not. I liked the smell of Metamucil. When Grampa visited I thought, “Cool.” Same thing as I thought when the love of my life showed up. Intensity is overrated.
Use a lot of slang!
Nothing makes an awful book like using slang from the 1940s in a present-day time period. Put in as many as possible.
Good ones include:
Armored heifer – Canned milk
Bust your chops – Yell at someone for being a dork
What’s buzzin’ cousin? – How are you doing?
He had high-tailed it out of there, and I did not have moxie to flap my gums to him about how she was a bearcat or not to take any wooden nickels from the other one, who was such a cancelled stamp.
Have No Plot
Seriously. Just have everything be stagnant. Have there be no immediacy. Have it be like a town planning board meeting discussing the land use ordinance’s shoreline setback for 5.7 hours.
We sat there. The others talked. Time passed. We sat some more. I stared at the ceiling fan. It seemed bored, too. We sat some more.
Have No Hope
Life is dark. Life has no hope. Why not teach the kids that right now, right? They will one day have to sit in a town planning board meeting so they might as well get used to life with no light at the end of the tunnel where someone busts their chops all day and they have to drink armored heifers.
Make them hate their existence as much as possible.
Everything sucked, but not in an intense way. Just a mellow suck – sort of a droning on of suckitude for years. Then I died after 80 years of almost-but-not-quite existential worries and moments. The end.
A lot of abuse happens at home. Know the signs of abuse and help your friends or yourself. Nobody deserves pain.
National Domestic Violence Hotline
Staffed 24 hours a day by trained counselors
When I was a little kid I talked funny. If you’ve heard me in person or listened to the podcast, you can tell that I still do, but it was way worse then. I slurred my s sounds. It wasn’t a lisp. It was more of a slur – like my tongue was kind of lazy and just didn’t want to do all the work.
So, in first grade for the whole first week, Jay Jamison (almost his real name) made fun of me. I’d raise my hand and answer and he’d lean over his desk and repeat whatever I said only super exaggerating the bad ‘s’ sounds.
So, if the answer was Sunday, I’d raise my hand and say, “Sunday.”
And then he’d lean over and go, “Ssssssshunday.”
And something inside me would tighten up. And something inside of me would want to cry, so I’d have to press my lips together really hard. And something inside of me would die a little bit.
Then, things got worse. Jay got his friends to mock me too at recess. They’d stand around me and say ‘s’ words, copying my voice, making their voices really high, laughing. They made fun of my last name, which was Barnard, and call me, “Carrie St. Bernard.”
It was pretty bad. Sometimes they’d pull at my jacket or my hair. Sometimes they’d monster hug me, which meant they’d try to squish me. The entire time they’d make fun of my voice, my s’s, me.
So, I stopped talking. I stopped raising my hand. I stopped answering questions.
I’d talk to my best friend Kathy Albertson and that was pretty much it. They had silenced me.
And I also tried to be invisible because I figured if they didn’t notice me then they couldn’t hurt me. I wanted more than anything to have invisibility be my super power. I would pray for it every night.
Pretty much all of first grade I didn’t talk. It was too scary to talk. I didn’t ever raise my hand even though I always knew the answers. And when I did talk I would try really hard to find words without ‘s’ sounds. (David Sedaris has a great essay about this. He did it, too). And the teacher thought there might be something wrong with me in a developmentally divergent and/or emotionally challenged way. And she told my mom. And I promised my mom I would talk more in second grade.
I spent the whole summer trying to learn how to talk better. I was home alone most of the time so I needed a model. You couldn’t hear people when you read books so I turned to the television.
We were super poor and we only got two channels – sometimes three.
One channel was soap operas and kissing, which was grosser than gross.
The other channel was mostly game shows, which was so tense. I had issues watching people almost win things and then not win things.
I was the least tough kid ever, basically.
This left one channel – PBS.
PBS is full of kids show, and back then it was also full of Muppets.
Yes, like the brilliant kid I was, I watched Sesame Street over and over to learn how to talk, so yes, I modeled my voice after Muppets, which pretty much explains my voice now.
Helpful Hint: It is not the best idea to model your voice after Elmo and Big Bird and Grover if you’re trying to fit in and not be bullied.
Yes, I taught Carrie how to talk.
Obviously, Sesame Street did not fix my s’s, but it did tweak my accent AND make me sound like a Muppet, which means that in second grade people still made fun of my voice, but my teacher, Mrs. Snierson gave us a haiku assignment that I totally aced and she realized I was smart, and pretty much protected me all that year.
Say “writing changed my life” is what.
I also learned that if you give your snacks away to the kids who never had enough money for snacks they would protect you, too.
And I also learned that if you asked people what was wrong when they cried, they’d protect you, too, once they were done crying.
And I also learned that Timmy Bourassa also liked smelly stickers, so I gave him some and then he protected me, too.
It was weird, but it was how I dealt. I coped by taking care of other people. I coped by buying protection with food and stickers.
The price of my protection?
No lunches for me
And things got better for a long time. People stood up for me when Jay was mean. Jay eventually became a kid named Chris. Both of them gave up when other people stepped in for me.
I never stepped in for myself.
I didn’t know how.
Things were better though because my caring about other kids returned as they cared about me. ,
But then in seventh grade after years of speech classes that didn’t help my s sounds at all, one of my teachers made me stay during recess and said, “Carrie. You are never going to succeed because of your s’s. You’re a smart girl, but you’ll always be a loser if your voice sounds like that. “
He told me I had no hope.
He told me that there was no point in me trying or going to college or even finishing high school if I didn’t get those ‘s’ sounds fixed.
He told me I would never succeed.
I cried a lot in the hall and another teacher asked what happened. I still remember how red that other teacher’s face got when I told him.
I remember him hugging me while I sobbed.
I remember him storming into the first teacher’s room and yelling so loudly the whole school heard.
That teacher saved me. My mom saved me too.
She went to the school and complained. Nothing happened to the first teacher, but I knew my mom cared and that was important. But no matter what either my mom or my nice teacher, or any of my friends said, that first teacher’s words echoed in my head and in my soul for a super long time. They still echo there sometimes and I hear those words in that teacher’s voice, and Jay’s voice, and those recess boys’ voices, and sometimes I hear them in my voice and that’s when it hurts the most. It hurts the most when I, myself, am thinking:
I have no hope.
There is no point in me trying.
I will never succeed.
I am a loser.
My books have made New York Times bestseller lists and bestseller lists in France and I’m published in a bunch of countries and I get fan mail, but I still can hear those bullying words sometimes – not all the time – but sometimes.
And I realize I cringe every time someone makes fun of speech impediments on tv or movies or books.
And I realize that I still do what I did in second grade – I surround myself with people who protect me by making me feel better. If I’m really hurt, I’ll friends-lock blog about it and people are always so kind. That’s how I cope. But other people? They aren’t so lucky for a bunch of reasons.
Sometimes you are too hurt to help other people.
Sometimes sharing a lunch or a smelly sticker isn’t enough.
Sometimes the pain inside of you becomes so big that there is no way for you to help other people because your own heart has fractured so much.
So, thanks to all of you who have ever helped me through a bully experience. I hope you know how awesome you are.
I’ve recently contributed to the anthology THINGS WE HAVEN’T SAID and Megan Kelley Hall and I co-edited another anthology, DEAR BULLY, which was an effort of writers, readers, bloggers and people to raise awareness about bullying. The money we raise from Dear Bully’s royalties continues each year to support programs meant to raise awareness about bullying and support those who have suffered. I am so grateful for that opportunity.
But it doesn’t feel like enough, you know? Nothing ever feels like enough.
If you’re a survivor of bullying, please know that you aren’t alone. Check out this website for some resources. And if you are a person who bullies? Try to get some help too. Your life can be so much better than it is now. Let’s change our culture into something better.
The Class at the Writing Barn
The awesome 6-month-long Writing Barn class that they’ve let me be in charge of!? It’s happening again in July. Write! Submit! Support! is a pretty awesome class. It’s a bit like a mini MFA but way more supportive and way less money.
Praise for Carrie Jones andWrite. Submit. Support:
“Carrie has the fantastic gift as a mentor to give you honest feedback on what needs work in your manuscript without making you question your ability as a writer. She goes through the strengths and weaknesses of your submissions with thought, care and encouragement.”
“Carrie’s feedback is specific, insightful and extremely helpful. She is truly invested in helping each of us move forward to make our manuscripts the best they can be.”
“Carrie just happens to be one of those rare cases of extreme talent and excellent coaching.”
People are saying super nice things about me, which is so kind of them because helping people on their writing journeys and their craft and supporting them? That’s pretty boss, honestly.
I’ll be at Book Expo America in NYC on June 1. From 11:30 to 12, I’ll be signing copies of The Spy Who Played Baseball. If you’re going to be there, come hang out.
Flying and Enhanced – the Young Adult Science Fiction Series
Cross Buffy with Men in Black and you get… you get a friends-powered action adventure based in the real world, but with a science fiction twist. More about it is here. But these are fun, fast books that are about identity, being a hero, and saying to heck with being defined by other people’s expectations.
This quick, lighthearted romp is a perfect choice for readers who like their romance served with a side of alien butt-kicking action – School Library Journal
Sparty knows all about that. More info about FLYING is here and the rest of my books? Right here.
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