THE END OF TENSION TALKS! How to Increase the Tension in Your Story

In my earlier posts these past couple of weeks, both Steve Wedel and Mark Del Franco had some interesting things to say about point-of-view and tension.

So, in this final blog, I’m going to talk about that a tiny bit more and then give some quick hints about creating suspenseful stories.

Because like Jeff Deaver said it’s our responsibilities as writers to: Give my readers the most exciting roller coaster ride of a suspense story I can possibly think of.


Although, to be fair I agree with Fawn Brodie’s sentence: Show me a character whose life arouses my curiosity, and my flesh begins crawling with suspense.

Character is really intertwined with point-of-view.

There are two main point of views I’m talking about here, first person and third person.

Every day you live in your own point-of-view. Every day you are the main character of your story living out the suspense of your life. That’s the first person.

If you expand beyond yourself, use empathy and imagination to jump back into other people’s lives as well, creating a web that connects both, that’s more third person.

Or, you might end up in this book turned movie, I’m not sure:

Anyway, there are special problems with both point of views.

Issues with I Stories:

1.      You know the narrator is probably not going to die, so there isn’t that mortal danger worry.

2.      In first-person past tense it’s hard to keep it fresh, because the I of the story already knows what’s going to happen.

Good Things About I Stories:

1.      You can use the ‘peril detector.’

2.      The narrator’s fear moves the scene forward, increasing tension.

Issues with Third-Person Stories:

1.      Sometimes it’s harder to get you to care about the character. There. Sorry. I said it. Haters get at it.

2.      Sometimes, if you don’t do it well, switching around can actually ruin the tension and frustrate the reader.

Good Things about Third-Person Stories:

1.      You can set up what’s going to happen, the crisis, the conflict, the scary by switching back and forth between the good guy and bad guy.

2.      It’s very freeing.

I asked Editor Andrew Karre (currently executive editor at Dutton about first vs. third person.

Andrew said, “I think suspense is often important, but adding it to a manuscript tends to involve removing stuff and rearranging stuff. I think a clear, sequential, third-person story is rarely maximally suspenseful, so if suspense is in order, I think a meandering, unreliable first person is the way to go.”

Okay. Here are some take-away tips about adding suspense to your story.

They are summarized from an article by Vivian Gilbert Zabel, which is sourced below.

1. Make the main character someone you like but someone who can screw up. The reader has to care. If the reader doesn’t care about the character, the reader closes the book. If the character is perfect and can’t screw up? Then there’s no tension.

2. Make the plot a question and then “Make a list of all the possible reasons why the answer could be “no.” Those “no” answers become the focus of problems and obstacles – suspense,” Zabel says.

3. Make the hero have a really good reason for what she wants. Make her need.

4. Do that for the bad guy, too.  Stories like Harry Potter wouldn’t be nearly so fun if there wasn’t the possibility that the evil wizard Voldemort might kick everyone’s butts.

5. Make things harder and harder for the hero. Make it get worse.

6.  Pick the right POV for you and your story.

7.  Try to make the story urgent. Imagine a bomb ticking down before the explosion. Make the story a race against that.

And there you go! I hope all these blog posts on tension help you out a bit instead of making you more tense.

SOURCES:

Luce, Carol. “Writing Suspense That’ll “Kill” Your Readers.” The Complete Book of Novel Writing. Ed 2002. Med Leder and Jack Heffrom. Cincinatti: Writers’ Digest Books, 2002.

Reynolds, William. “Keeping Them In Suspense.” The Complete Book of Novel Writing. Ed 2002. Med Leder and Jack Heffrom. Cincinatti: Writers’ Digest Books, 2002.

Article Source: http://EzineArticles.com/?expert=Vivian_Gilbert_Zabel 

Personal Interviews with Mark Del Franco, Andrew Karre, and Steven Wedel, Sept. 2008.

Want More of Me?

HEY! DO YOU WANT TO SPEND MORE TIME TOGETHER? JUST CLICK ON THIS LINK AND FIND OUT HOW WE CAN.


NEW BOOK ALERT!

My little novella (It’s spare. It’s sad) is coming out October 1 and if you pre-order it now, you can get the Ebook for .99 before the price goes up to $2,99. It is a book of my heart and I am so worried about it, honestly.

There’s a bit more about it here.


HEAR MY BOOK BABY (AND MORE) ON PATREON

My Patreon site I read and print chapters of unpublished YA novels. THE LAST GODS and SAINT. I also share some writing tips that are also going to be on Teachable as the WRITING CLASS OF AWESOME and send people art.

It’s a super fun place to hang out, learn, read, and see my weirdness in its true form.


Carrie Jones Books is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com

Writing In The Tension Into Your Story Interview with Author Mark Del Franco

I talked to Mark Del Franco about how he builds tension and suspense.  According to his website, “Mark Del Franco spent several years in the publishing field in editorial and administrative roles and in the institutional finance field as a proposal writer. He currently is pursuing a freelance career in both these fields.”

SONY DSC

“Mark Del Franco lives with his partner, Jack, in Boston, Massachusetts, where the orchids tremble in fear since he killed Jack’s palm plants.”

What his website bio doesn’t say is that Mark is an amazing guy and masterful at first-person suspense.

So, Mark, what do you do to build tension in a scene?

I find tension one of the harder aspects of writing because I know what’s going to happen.  Sometimes the execution surprises me—the  scene I envision does not always result in the scene that gets written—but the bottom-line is that it’s not tense for me in the same way it is for a reader.  So what do I do?  I try and be a reader as I write.  The crucial point of tension is something has to be at stake that the reader cares about or at least believes the characters care about.  For me, that means setting a scene first–the visuals and why it’s important.  Then I layer in the idea of the success or failure being equally important—it’s not tension if the result is not in doubt.  Last, the pay-off has to work credibly–if something resolves successfully, the reader must feel that I haven’t cheated to get there (for example, “Poof! she waved her magic scepter”) and if something resolves tragically, the reader must not feel I stacked the odds to an impossible height to make a plot point (for example, “everyone died,  but now he had a reason for revenge”).  These three things overlap, but they do happen for me in roughly this order.

Is it a “big bang shock” sort of technique for you or you more fond of the “take the reader down the dark and sinister hallway” approach?

I like both!  Both techniques have their uses and achieve different goals.  I think the big bang is an after-effect technique.  The Bad Thing happens, and the tension derives from how characters have to deal with it.  The dark hallway is more front-loaded—we know something is coming, so the goal is to face it and the tension derives from whether
the characters can prevent the Bad Thing.  Both techniques, I think, are a test of character (in both senses of the word) that should make a reader care about what happens.

Do you think that it\’s easier to build tension in first or third person? And either way, as a reader (not as a writer) which do you prefer?

As a writer, I’ve been focusing on first person to date so I’m more comfortable with first (though a new novel I’m working on is in third). With first person, I have an easier time slipping behind my protagonists eyes and trying to imagine what would make things tense for me, then translating that to the page.  I think this gives the reader a certain
immediacy to the tension, too.  Third person is a broader kind of tension in that I’m trying to make things tense for the reader and the character in slightly different ways while telling one narrative.  Right now, as I learn my way through third person writing (and every novel is a new learning experience), I’m feeling that third person makes a higher
demand for ensuring the setting tension is strong because the viewpoint is broader.  As a reader, I respond more to first person tension.  With third person tension, for some reason I tend to notice more the way scenes are crafted to create tension, but that may be due to the fact that third person has not been my main writing point of view so far.

If you think of suspense coming in different sizes (small, medium, super-ultra large) do you think it\’s best to alternate these or are you into the steady diet of massive (or tiny) suspenses in your book.

In a way, this is a broader issue of pacing and making decisions as a writer as to the type of book you want to write.  My Connor Grey series tends to medium hits of tension that grow larger over the course of the novel until I hit the big one.  That’s the pay off for myself and the reader—laying out a series of events that become more and more
perilous until Connor must make the big decision on how to act.  With my new novel set in the Convergent World, I’m looking to create a faster pace–I want my main character, Laura, to be put through her paces and prove she’s as good as everyone thinks she is.  So, I end up throwing a lot at her.  That increases the pacing and the way to do that is those
steady hits of tension.

When you write do you think the nature of  your suspense comes from your characters or from the plot?

As an urban fantasy writer that has focused on mystery, I hope the tension is in the plot!  At the same time, I think (and hope) that there’s a level of character tension too since my main character learned he has feet of clay and is struggling to overcome that.  How he becomes a better person–making mistakes along the way.


NEW BOOK ALERT!

My little novella (It’s spare. It’s sad) is coming out October 1 and if you pre-order it now, you can get the Ebook for .99 before the price goes up to $2,99. It is a book of my heart and I am so worried about it, honestly.

There’s a bit more about it here.


Want To Learn About Me, My Writing Coach Business, Editing or Just Hook Up on Social Media?

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Carrie Jones Books is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com

Writing Pet Peeves

Writing Pet Peeves

 
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Carrie’s number one writing pet peeve is when authors write,

I thought to myself.

Seriously. You are always thinking to yourself, sweet writer, unless you’re telepathically communicating to a zombie hamster and then all bets are off.

But the thing is that I, Carrie, get why authors like myself do this. It’s because:

  1. We’re worried that the reader isn’t going to get what we’re saying.
  2. We’re padding our daily word count totals for NaNoWriMo, national novel writing month where you try to write a 50,000-word novel in November.

But here’s the thing. Your readers are smart or smart enough to know that when your characters are thinking, they are doing that to themselves and not anyone else.

Cut those words, sweeties. Trust the readers. Trust your writing.

If you say, “I think” or “I thought,” everyone knows it’s to yourself… unless, you know, telepathic zombie hamsters.

So how about you? What are your writing pet peeves?

WRITING TIP OF THE POD

Trust your readers. Don’t write down to them. Believe in your words.

DOG TIP FOR LIFE

You don’t need to be insecure. Be proud of what you’re doing, who you are and what you’re putting down for the world to hear.

SHOUT OUT!

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Summer Spliff” by Broke For Free.

HELP US AND DO AN AWESOME GOOD DEED

Thanks to all of you who keep listening to our weirdness on the DOGS ARE SMARTER THAN PEOPLE podcast as we talk about random thoughts, writing advice and life tips. We’re sorry we laugh so much… sort of. Please share it and subscribe if you can. Please rate and like us if you are feeling kind, because it matters somehow. There’s a new episode every Tuesday!

Thanks so much for being one of the 252,000 downloads if you’ve given us a listen!


CHILL WITH US

HEY! DO YOU WANT TO SPEND MORE TIME TOGETHER? JUST CLICK ON THIS LINK AND FIND OUT HOW WE CAN.


NEW BOOK ALERT!

My little novella (It’s spare. It’s sad) is coming out October 1 and if you pre-order it now, you can get the Ebook for .99 before the price goes up to $2,99. It is a book of my heart and I am so worried about it, honestly.

There’s a bit more about it here.

Carrie Jones Books is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com

Stop Giving The F-Word and Just Succeed

Stop Giving The F-Word and Just Succeed

 
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The other night Shaun and I imbibed some alcohol and I declared that to not have a who-gives-a-swear-word attitude is to be compliant.

This made Shaun really happy.

I said it because I was talking about authors and politics and being afraid to say what you think because you are afraid of backlash. I’ve been listening to a lot of entrepreneurs and marketers who all preach putting your authentic self out there so that your group of supporters are supporting the real you, not some fake, shadow version that’s trying to appeal to everyone.

Shaun said “Google authors who struggled and said, ‘F-it, did a 360, and found success.”

This was hard to do, actually. There was no nice search results for that. But one thing it brought up was the infamous book called, “The Subtle Art of Not Giving a F*&k.”

In the article of the same name (Link is in the podcast notes), Mark Manson wrote,

“Chances are you know somebody in your life who, at one time or another, did not give a f- and went on to accomplish amazing feats. Perhaps there was a time in your life where you simply did not give a f- and excelled to some extraordinary heights. I know for myself, quitting my day job in finance after only six weeks and telling my boss that I was going to start selling dating advice online ranks pretty high up there in my own “didn’t give a f-” hall of fame. Same with deciding to sell most of my possessions and move to South America. F-s given? None. Just went and did it.”

There’s a lot of stupid minutiae that we go around giving too many f’s about daily, isn’t there? And that? It drains are energy for the things that are important to care about.

Manson goes on and says, “Indeed, the ability to reserve our f-s for only the most f-worthy of situations would surely make life a hell of a lot easier. Failure would be less terrifying. Rejection less painful. Unpleasant necessities more pleasant and the unsavory s-word sandwiches a little bit more savory. I mean, if we could only give a few less f-s, or a few more consciously-directed f-s, then life would feel pretty f-ing easy.”

There are a lot of super famous authors who struggled for a bit before hitting success. Toni Morrison. Stephen King. Raymond Chandler. Margaret Atwood. Frank McCourt. Madeleine L’Engle, a much lauded children’s book author, almost stopped writing after getting a rejection on her fortieth birthday.

She is quoted as saying, “I had to write … If I never had another book published, and it was very clear to me that this was a real possibility, I still had to go on writing,” she claimed.

Her book, A Wrinkle in Time was rejected twenty-six times and then was a smash hit, winning the John Newbury Medal.

She stopped giving a f about it being a waste of time, feeling guilty that she wasn’t financially contributing, and did it.

Or think of someone who isn’t a writer-writer. Jay-Z tried to get a record deal from everyone in 1995. No company would sign him. He didn’t let their lack of vision or support define him. No. Instead, he didn’t give a f- about what they said and made his own record company. Then the same thing happened as he tried to make a distribution deal. He also allegedly stabbed someone at a record release party, so that might be taking the not giving a f a little too far, but seriously? The guy has done so much and become such an influence.

Still though, no stabbing.

So, how about you? What’s holding you back? What are you wasting your energy on?

Writing Tip of the Pod

What would you write if you did not give a f- about whatever is holding you back?

Dog Tip for Life

Embrace who you are and don’t give a f- about what other dogs think of you. They don’t know your story. You get to be you.


SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.


HELP US AND DO AN AWESOME GOOD DEED

Thanks to all of you who keep listening to our weirdness on the DOGS ARE SMARTER THAN PEOPLE podcast as we talk about random thoughts, writing advice and life tips. We’re sorry we laugh so much… sort of. Please share it and subscribe if you can. Please rate and like us if you are feeling kind, because it matters somehow. There’s a new episode every Tuesday!

Thanks so much for being one of the 252,000 downloads if you’ve given us a listen!


HEAR MY BOOK BABY (AND MORE) ON PATREON

My Patreon site I read and print chapters of unpublished YA novels. THE LAST GODS and SAINT. I also share some writing tips that are also going to be on Teachable as the WRITING CLASS OF AWESOME and send people art.

It’s a super fun place to hang out, learn, read, and see my weirdness in its true form.


NEW BOOK ALERT!

My little novella (It’s spare. It’s sad) is coming out October 1 and if you pre-order it now, you can get the Ebook for .99 before the price goes up to $2,99. It is a book of my heart and I am so worried about it, honestly.

There’s a bit more about it here.

Carrie Jones Books is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com

Flour Tattoos and Hyperbole is the Biggest Danger in the World (That’s Hyperbole right there)

Flour Tattoos and Hyperbole is the Biggest Danger in the World (That’s Hyperbole right there)

 
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So, this woman, Aileen Weintraub on the Huffington Post, has an article that’s headline is, “I’m a Grown Woman and I Still Sleep with a Stuffed Animal.”

“George is my deep, dark secret, and I’m sharing our story now in the time of COVID-19 because many of us are quietly struggling.”

Aileen Weintraub

And the article is sweet and lovely, and poor Aileen had COVID-19 and was terribly sick and was even more stressed because George, her stuffed dog has been with her for thirty years and she didn’t know if her stuffed animal would be able to go with her if she had to come to the hospital.

And she was ashamed because stuffed animals are allegedly “transitional objects.”

She wrote,

“I love my family, but this little hound doesn’t take up much room and he doesn’t shift the sheets. I don’t have to explain myself to him. He doesn’t ask questions and he’s always there, a personal touchstone I can depend on. George doesn’t judge. He never complains and I never have to cook for him. He never rummages through the fridge and tells me there is no food in the house. He doesn’t leave towels on the floor. He doesn’t bark while I’m on a conference call. George gets me.

“When I was quarantined for 16 days as the coronavirus ravaged my body, no one in my family could touch me. I communicated with them via text or through a closed door. But George was there. He is so quiet that it would be easy to forget him. I never do.

“George is my deep dark secret, and I’m sharing our story now in the time of COVID-19 because no matter how strong, confident or successful a person may appear, the truth is that many of us are quietly struggling. When everything seems hopeless, when it looks like we will never get out of the hellfire that is 2020, perhaps it’s OK to admit to finding softness and comfort from something as simple and familiar as an old threadbare stuffy.”

Aileen Weintraub

God bless this lady because if George, the stuffed animal in her bed, is her deep dark secret? What a nice life she’s had.

What Is Hyperbole?

Hyperbole is basically defined as an exaggeration that people use to emphasize an effect. It’s extravagant. It’s bullshit. It comes from the Greek word for “excess.”

I’m not sure if this ‘deep dark secret’ is hyperbole, but it sure feels like one.

And the problem with hyperbole? Is that it’s not truth. It’s inauthentic. It’s the tool of politicians and apparently op-ed writers and we’re all freaking too used to it. We don’t examine the extravagant claims of influencers, writers. Headlines and tweets and speeches and email subject lines are full of them.

 In writing fiction especially, hyperbole can be a brilliant tool. Listen to this Monty Python bit about being completely not rich.

You were lucky. We lived for three months in a brown paper bag in a septic tank. We used to have to get up at six o’clock in the morning, clean the bag, eat a crust of stale bread, go to work down mill for 14 hours a day and when we got home, our Dad would thrash us to sleep with his belt!​

Monty Python people

The Problem

Writers, you can use hyperbole but don’t use it in your nonfiction. Even Aristotle was anti-hyperbole saying it was amateur and childlike and that it was the tool of bad, angry politicians.

Why is it bad?

It’s bad because it’s used to manipulate us and our emotions. It makes normal things suddenly feel over the top, excessive, the deepest and darkest of secrets or the most terrifying moments of existence. It’s when someone yells at you for your opinion or your actions and you call it an ‘attack’ in which you are in fear of your life. It’s when you’re pushing for your agenda and twisting truth so that you can be the savior or the victim and it is dangerous AF.

And it’s normal now. We’re used to seeing the exaggeration of truths becoming lies. No, that article is not going to make you instantly a best selling book writer or super fit in three fast weeks. No, that politician isn’t going to save your country. No, that person with an opinion different than yours does not deserve to die.

Hyperbole pulls us away from the truth. In the excess and exaggeration often comes an otherness, an us versus them mentality that prevents us from finding truths, middle roads, and we become so engrossed in it that we see a story about a woman’s deepest, darkest secret being about sleeping with her stuffed animal and we believe it.

We’ve got to return to truth, to discourse, to authenticity.

And we have to do it before it’s too late before that extremism is the norm, exaggeration is the defacto position for all of us, before we forget what truth even is.

WRITING TIP OF THE POD

Write truth. Write things that resonate. Hyperbole is a great tool, but it shouldn’t be your go-t0 response.

DOG TIP FOR LIFE

Don’t hyperbolize the simple stuff.

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Summer Spliff” by Broke For Free.

Continue reading “Flour Tattoos and Hyperbole is the Biggest Danger in the World (That’s Hyperbole right there)”

Five Writing Quotes To Make You Feel Better About Things

Five Writing Quotes To Make You Feel Better About Things

 
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Carrie is a bit burnt out this week so we decided to take a fast look at the advice and quotes that writers give to each other.

Quote #1

“The road to hell is paved with adverbs.”
—Stephen King

Mr. King has strong feelings about adverbs. He has strong feelings about a lot of things. Just because a successful man has strong feelings about things doesn’t mean he’s correct.

Quote #2

“Know your literary tradition, savor it, steal from it, but when you sit down to write, forget about worshiping greatness and fetishizing masterpieces.”
—Allegra Goodman

This is just here because it has the word ‘fetish’ in it, but the truth of it is pretty obvious. Don’t write because you want to be John Steinbeck or God or Toni Morrison. Write because you want to be you.

Quote #3

“There are no laws for the novel. There never have been, nor can there ever be.”
—Doris Lessing

Many agents, editors, readers and critics would disagree with Doris.

Quote #4 A and B

“The idea is to write it so that people hear it and it slides through the brain and goes straight to the heart.”

“I don’t know about lying for novelists. I look at some of the great novelists, and I think the reason they are great is that they’re telling the truth. The fact is they’re using made-up names, made-up people, made-up places, and made-up times, but they’re telling the truth about the human being—what we are capable of, what makes us lose, laugh, weep, fall down, and gnash our teeth and wring our hands and kill each other and love each other.” – Maya Angelou

These are my favorite quotes about writing ever. Writing is about being understood and communicating truths that go straight inside of the reader and helps them see their truths, too, truths and connections.

Quote 5

“Read a thousand books, and your words will flow like a river.”

― Lisa See

Like any craft, when you read other people’s stories, it helps you see how to construct your own.

WRITING TIP OF THE POD

Advice can be take it or leave it, but try to remember to be yourself.

DOG TIP FOR LIFE

You can learn a lot about your craft by seeing other dogs’ techniques. Don’t be afraid to be learned.

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Summer Spliff” by Broke For Free.

COME WRITE WITH ME! 

I coach, have a class, and edit things. Find out more here. 


WHERE TO FIND OUR PODCAST, DOGS ARE SMARTER THAN PEOPLE.

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Last week’s episode about poop, dentists, surgery, flavored alcohol and Jung. 

This week’s episode about generalizations and what men want. 

Last week’s bonus podcast with Jessica Burkhart! 

A link to our podcast about fatal errors, scenes, and ghost reaper sauce

What Are These Terrifying Beasts Called Pass Proofs?

So, when you publish traditionally you get this thing called First Pass Proofs.

What are these diabolical little things? Well, to understand that we have to take a tiny jaunt into the copyediting and proofreading world. Grab some snacks!


A Pass

This is when you go through your story and look for all the typos and mistakes and consistency errors. and redundancies.

The Proof

It’s a verb and it’s a noun. You can say “I’m proofing this” when you are proofreading.

But also, when you get your beautiful story manuscript after the copyeditor, proofreader, regular editor, editorial assistant and King Kong have all gone through it, you have pages called a pass proof. This is what your story looks like before it goes to publication. You are to read it all and see if anyone missed anything.


The Fear

I am afraid of pass proofs. 

But they are still super cool.

Why am I afraid of them?


Well, they come after the copy edits, so even if you suddenly realize that having your main character fall in love with a bottle of ALL NATURAL SNAPPLE ICED TEA was important to the plot of the book, you can not magically make this happen now. It is too late!!!!

SnappleIs it ever really too late to make SNAPPLE an important plot choice/love interest? I doubt it. 

Yes, Snapple! It is too late. 

Why is it too late?

Well, the first pass proofs are really what the book is going to look like on the page. It’s sort of all set and ready to go. 

And that’s scary. Your book baby is ready to go off into the world of anonymous reviews and bookstore shelves, and there is nothing you can do now to toughen her up, make her street smart. She is out there on her own very very soon and you just have to pray she won’t be a train wreck and become the kind of book that the paparazzi take pictures of because she’s always forgetting to wear her underwear when she gets out of cars. 

Continue reading “What Are These Terrifying Beasts Called Pass Proofs?”

Imaginary Land and The Parallel Zone

A long time ago, the awesome Megan Crew posted about this imaginary world she created with her friend in fifth grade. It involved unicorns and stuff. It made me wonder how many of us do this? How many writers? How many people who are not writers?

When my best friend, Jackie, and I were in seventh and eighth and (a-hem) ninth grades we created two entirely imaginary worlds and very complicated love stories that went with them. We would expand on these on the telephone every night and I’d be all, “And then Bruce looked at you in that way.

And she’d go, “What way?”

And I’d say, “You know that way.”

The Bruce she was talking about was him:


I, strangely enough, had this guy for my major love interest in the Parrallel Zone (PZ for short)



And this guy in Imaginary Land (IL for short)


How embarrassing is that? I mean, seriously, I liked a guy with striped pants. He was a Doctor Who.

Actually, Jackie and I were so embarrassed by our secret addiction to IL and PZ (We added to the story EVERY single day.) that we swore we would never EVER tell anyone we did this. 

Yep. I told. She did too though, really! 

Did you do this? Do you do it now? Is this a writer thing or a people thing, do you think? 

Did yours involve going through metal detectors at Logan Airport at the EXACT same time as Bruce Springsteen and Paul Young and therefore being zapped into a parallel universe where they totally loved you and thought you were hot? 

Not that ours did or anything. 🙂


 

Continue reading “Imaginary Land and The Parallel Zone”

What The Heck Do Men Want?

What The Heck Do Men Want?

 
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So, over at the Good Men Project, they have a story called “Five Traits Men Want in a Partner That We Never Say Out Loud.”

As a woman, I (Carrie) find this pretty frustrating. Why do men not say these things aloud? 

Paul Marsh of the Good Men Project writes: 

Most of us are just terrified of vocalizing what we want and 1) being laughed at or ridiculed in some capacity, 2) not having our desires taken seriously, or 3) not getting whatever it is we’re seeking. 

Marsh’s article which is anecdotal and not data-sourced is saying similar things as an earlier article in 2015 by Anthony D’Ambrosio that was in Elite Daily. D’Ambrosio had seven traits/characteristics to Marsh’s five.  

Marsh writes: 

The world is realizing that, while we’re deeply flawed, men also have a sensitive side, one chock-full of rich emotions that extend beyond those usually associated with us — like anger. Even companies like Old Spice are rolling out scented bodywashes with lavender and other naturally-derived ingredients that have long been associated with femininity.

Here is what Marsh says that men want: 

  1. Tenderness
  2. Global listening skills
  3. A kind talker
  4. Respect which he defines as “being considerate about the desires, feelings, and traits of another person
  5. Someone who ‘fights for you.’

D’Ambrosio’s article has reliability and being a best friend on the list as well as being self-aware and a communicator (kind talker and listener). He writes: 

Remember: You don’t need a “life partner,” “soulmate,” or “the one” to make you a complete, happy, healthy person. You are enough, all on your own. But if you’re dating someone you love, and you’re wondering if they’re your ever after, look out for these seven traits.

And Also Remember: These articles are massive generalizations. Not all men want the same things. Not all men have a hard time articulating what they want. Difference and diversity are good things. And sometimes articles telling you what men or women or writers want? They can be wrong for some people and right for others.

Writing Tip of the Pod

What does this have to do with writing? Think about your characters and their entanglements. How do they react when other characters aren’t respectful, tender, good listeners or in their corner? Why does it matter to them? Why doesn’t it? 

Dog Tip For Life

Be kind. It’s what it’s all about really.

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.

Continue reading “What The Heck Do Men Want?”

The Poop And The Magician, Archetypes and You

The Poop And The Magician, Archetypes and You

 
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Over the past couple of months, we’ve been talking a lot about archetypes and how you can use them in writing and life, but we’ve failed to discuss where all this talk stems from. 

It’s all from Carl Jung who is an old, dead, psychology pioneer who didn’t agree with another old dead guy, Sigmund Freud. 

Jung was about the ‘collective unconsciousness.’ And he thought that in humanity’s collective unconsciousness there were basically twelve archetypes of character. We define this in our last podcast and this week, we’re finishing up with those twelve archetypes as they relate to finding poop in your driveway because we’re weird like that. 

THE REMAINING ARCHETYPES!

7. The Magician

It’s all about growing and evolving but the crankier magicians are not revolutionaries who lift up others. Instead, they are cranky buttfaces who turn positives into negatives and their attitude is contagious. A magician will see poop in the driveway and potentially think of a way to make it an energy source that will reduce carbon emissions. Or they might just tweet, “Poop in driveway. Angst. Everything completely sucks. What is the point? 

8. The Hero

Ah. Power. The hero likes it. The hero is vital and all about battling for honor or power. They do not like to lose. They do not give up. They find that poop and loft it at the doghouse of the enemy. They tweet a photo of poop smeared, “I protect my own. Consider yourself warned.” 

They then make a neighborhood watch for pooping dogs, create some HOA rules, call the police, and try to control the situation with some outdoor spy cameras. Remember. They do not lose. They like to control situations. They can sometimes be a little too controlling and ambitious. 

9. The Rebel

There is poop in the rebel’s driveway. They probably put it there. They don’t care if people have opinions about this poop. They should all mind their own business and stop pressuring the rebel. 

The rebel does not use social media because social media is all about other people’s opinions and the rebel could care less. Poop is definitely in their driveway and the rebel does not care. 

10. The Lover

Poop? Poop is in the lover’s driveway? But the lover is all about love and loving others and feeling loved and this? This poop is not pleasing. It is not about love. It is a blob of yuck. 

The lover cries and tweets and asks for uplifting sayings and photos. People send memes and photos of their kittens. One comes and takes care of the poop for them. The lover feels #blessed. 

11. The Jester

POOP! OMG! Poop is in the driveway! Hahahahaha! The jester gets the joke. And the joke isn’t just poop. It’s life. Crap happens. You might as well make it funny. 

The jester tweets something terribly lewd about the poop. They get Twitter banned for a day. The next day they do it again and start a 120-day spree of poop tweets. It goes viral. They get a podcast. 

12. The Orphan

Our last one is so sad. It is the orphan. The orphan is already a sad little human who feels like they are basically a walking wound. And here? Here is someone putting poop on their wound. Well, really on their driveway, but it’s kind of the same thing, isn’t it? It’s all about disappointment and betrayal and hurt and pain.

The orphan quickly manipulates all of Twitter into a GoFundMe to help them survive the trauma of the dog poop. They ask someone else to set up and be in charge of this Twitter so they can maintain their innocent brand. 

Since this is the 564th GoFundMe they’ve been a part of in the last four months, they only raise four dollars. The innocent is disappointed that nobody is helping or taking charge of their life. They go out and poop on their driveway themselves again. Maybe this time it will work? The orphan hopes so. 

Writing Tip of the Pod

Be original in your writing. Hook into those archetypes, but don’t have your characters just be an archetype.

Dog Tip For Life

Don’t stop moving. Live your life now while you have one.

SHOUT OUT

The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song?  It’s “Night Owl” by Broke For Free.

Continue reading “The Poop And The Magician, Archetypes and You”