I’m going to talk a little bit more about that today.
Again, backstory is the events that happened to your character before the actual main story starts.
So backstory, once you have it, allows you to give your character goals in the beginning of the novel and throughout the novel because it allows you the writer (and reader) to know what forces and history make that character who they are today and drive them.
The Two Goals (Thanks to Backstory) Which Gives Your Character Dimension
One goal is usually physical or tangible. They want something. Let’s say they want to drive a car. They are 15 and want to learn how to drive. That’s a tangible goal. The author wants to get her novel done. The puppy wants a bacon treat.
The other goal is usually emotional. This goal has to do with yearning. This goal is the reason for the tangible goal.
They want to learn how to drive (tangible) because they yearn to get out of their claustrophobic home (emotional).
She wants to get her novel done (tangible) because her brother always said she couldn’t get anything done because she’s lazy and she yearns to prove him wrong (emotional).
The puppy wants a bacon treat (tangible) because he yearns for bacon because that’s what he used to get in his first house before he got lost (emotional).
Without knowing the backstory, we wouldn’t know the emotional goals of the character, the why for their tangible goals. Instead we’d be reading and thinking, yeah, he wants to finish the novel. So what?
Tomorrow over on LIVING HAPPY, I’ll dive in a tiny bit more into this.
It should be a pick-up line at a bar, yet it somehow is not a pick-up line at any bar that I know of except maybe in a New Yorker cartoon or a bar in a town where there’s one of those MFA programs in writing literature for literary people doing literary things.
Anyway, it’s a term writers throw around all the time and it is basically just how we imagine our characters’ lives went before they are in the actual story that we’re writing.
I know! How can you imagine that your character had a life before your story? It’s like imagining your spouse had a life before you that wasn’t totally centered around you. Us narcissists have a hard time with that.
Do you know, in nine hundred years of time and space, I’ve never met anybody who wasn’t important…
According to a post on Now Novel there are three uses of back story.
Developing the understanding of the characters. Like if your dad died of a heart attack in front of you and you couldn’t save him, then your character might have a savior complex. It helps the reader understand your characters’ motivations.
It can heighten the stakes and the suspense. You were once addicted to dating cops. Cops were always bad for you. Will you date this one? NO! YOU MUST NOT.
It makes it real damn it. By the time, you make it into a book, you’re not going to be a blank slate, born out of Zeus’ head or a clamshell fully formed on page 1. We all have prologues.
Standout asks how much back story does a story need and answers its own question pretty simply:
If judged solely on complexity, the answer to ‘how much back story should I include?’ would be ‘enough to pay for the reader’s efforts,’ however you also need to consider immersion.
Here is our advice:
Don’t be fake. Don’t be pretend. We all know people who show up at a party, engage in small talk about absolutely nothing other than the weather, the traffic, where they work. There is no underlayment. It’s like they are a rug thrown on the floor, but if you touch that rug it will just slip away because there’s nothing holding it there.
Do not let your characters be rugs.
Ground those suckers with nails and staples if you have to. ModPodge them to the floor, give them a life before you.
Don’t tell us everything about them. We do not know that they prefer Aquafina to Poland Spring water or that they had an ingrown toenail when they were twenty-four any more than you want to know about the guy at the party’s hemorrhoid treatment unless it’s really good. Be sparing.
The most important things to remember about back story are that (a) everyone has a history and (b) most of it isn’t very interesting.
Writing Tip of the Pod
Find the balance in your backstory and your life.
Dog Tip for Life
Run through adversity. Don’t give up.
The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Night Owl” by Broke For Free.
It’s with Steve Wedel. It’s scary and one of Publisher’s Weekly’s Buzz Books for Summer 2019. There’s an excerpt of it there and everything! But even cooler (for me) they’ve deemed it buzz worthy! Buzz worthy seems like an awesome thing to be deemed!
You can order this bad boy, which might make it have a sequel. The sequel would be amazing. Believe me, I know. It features caves and monsters and love. Because doesn’t every story?
You can get exclusive content, early podcasts, videos, art and listen (or read) never-to-be-officially published writings of Carrie on her Patreon. Levels go from $1 to $100 (That one includes writing coaching and editing for you wealthy peeps).
A lot of you might be new to Patreon and not get how it works. That’s totally cool. New things can be scary, but there’s a cool primer HERE that explains how it works. The short of it is this: You give Patreon your paypal or credit card # and they charge you whatever you level you choose at the end of each month. That money supports me sharing my writing and art and podcasts and weirdness with you.
Share this if you want and also because it would be super nice of you!