And I think that my poetry is a bit like my voice. It is imperfect. It sounds like a Muppet. I slosh my s’s a lot. It’s not a typical poet voice. It’s raw.
Over on Instagram, I share the motivations quotes of my dogs and cats, which is weird, I know. It’s weird that I give the animals words to hopefully help people instead of Oprah or Tony Robbinsing it and just doing it myself.
I would say it’s because I post pictures to get people’s attention and my animals are much cuter than I am.
I think that’s part of it.
But the other part is that I have a hard time letting advice and inspiration and motivation just come from me. Shaun says this is because I lack ego, but maybe? Maybe it’s really that I can’t hit that level of brave yet.
I’m not sure.
But also, the animals are cute.
Also on Instagram I’ve started putting out poetry snippets, which is really challenging because I’m not a short poetry sort of person. When I wrote poems in my twenties, I wrote longer ones and the gatekeepers liked to tell me that my voice was too raw.
“Too raw for poetry. Beautiful. True. But too raw.”
I heard it over and over again.
And I think that my poetry is a bit like my voice. It is imperfect. It sounds like a Muppet. I slosh my s’s a lot. It’s not a typical poet voice. It’s raw.
And that rawness, I think is why it’s hard for me to share poems (short or long), but I’m starting and that’s something, right?
I am often angry in my poems. People don’t think of me as angry, but oh my gosh, I get so self-righteous sometimes. It’s amazing. But I think that part of the beauty of poems, of the form, is that it gives you space for that even when it’s too raw.
There should be a place for raw. And I think that the place is happening now. I think the raw spot has been growing and starting to be more seen, more accepted. Because the thing is that the raw is just as real as the well done and polished.
Staring at the blank page,
“Maybe I can write a poem,” I said,
“Because poems are simple.”
Anxiety tells me that
The car will crash on the way to Canada
Or that the child will get kicked out of school,
Finally, for hitting a teacher and refusing to do her work.
All the labels they give her.
So many labels.
It tells me that the kennel will lose our dogs;
The kittens will eat each other,
That I will never make money again
And end up what? Living in the car.
I’ve been there. Done that.
Lose a house? Have people mock me?
Become a cautionary story
in the tale of writers.
“She was once
a NYT bestseller, international
Look at her
Look at me now.
A bee could sting me and I could die.
A man could strike me and I could die.
A plane could crash. An ego could burn. A Twitter troll
Could take it all down.
Why don’t I just save them all
The trouble and do it instead.
I could write a poem.
That should be simple, right?
I am so scared.
On one of my Patreon sites I read and print chapters of unpublished YA novels. THE LAST GODS and SAINT and now ALMOST DEAD. This is a monthly membership site (Hear the book chapters – $1/month, read them $3-month, plus goodies!). Sometimes I send people art! Art is fun.
On this, my second site, WRITE BETTER NOW, you can do a one-time purchase of a writing class or get two of my books in eBook form or just support our podcast or the dogs. It’s all part of the WRITING CLASS OF AWESOME.
It’s a super fun place to hang out, learn, read, and see my weirdness in its true form.
While I was working a little, white kid on the sidewalk outside yelled, “I’m going to run you over. Right now!”
A little white girl hurried out of his way, skittering, almost tripping over her feet.
Their daycare provider then announced, looking at my house, “If that was my house, I’d tear down those trees.”
In less than ten seconds, I heard a threat, saw fear, and then judgement and an apparent disregard for our little baby ecosystem in the cedars.
It made me think about my reaction to things and how important it is to not be a Judgy-Pants especially about other people’s property, but also to not always hurry out of the way when someone threatens you and wants to be where you are.
Usually on Be Brave Friday I share art that I’m working on, but I’m not working on any right now. This whole week I haven’t picked up a paint brush. But I have clacked away on my keyboard, so this is the best I have to offer you today.
It’s a random poem I wrote. If you know anything, you’ll know that poems are almost as hard for me to share as art.
I feel my tooth now that it’s gone,
A hole inside my mouth, stuck
Between the survivors, a gap and fuzzy pain
Reminding me of things.
I said I wouldn’t
Cry. Damn it all to hell.
I am not a person who sobs.
Not over a tooth.
I stared at the surgeon as he sewed me up.
I stared at the white light above him, thinking
About out-of-body experiences and how
The people who return always talk about
The white light. I can’t keep staring at it.
I try not to think about things.
I try to not remember how I’ve become the person I am.
“Don’t present as insecure,” other women tell me. “You’re strong
And talented.” And I just want to say, “Bitch, those are not mutually exclusive.”
I don’t care about followers.
I don’t care about how I present
I don’t care about well-natured advice telling me not to be me. I touch
The letters of my soul like they are traps, but they are magical, offerings of
Hazelnut charms, nine letters encircling themselves meant to be placed on a door
To keep the evil out. If only it were that simple, right?
I feel my tooth now that it’s gone.
December is the month of birthdays of the dead I knew.
Father. Brother. Jesus. Me.
Try not to skitter. Try not to threaten. Try not to judge. We can all share, okay? And leave the damn trees alone.
NATIONAL POETRY MONTH is almost here so I am totally going to theme out this April.
Because poetry changed my life in second grade. Seriously.
I was this kid who talked like a Muppet. Everyone made fun of me so I didn’t talk at all in first grade. I was known as THE QUIET KID WHO GIVES HER SNACKS AWAY – SO DO NOT BEAT HER UP.
The teachers couldn’t figure me out. I never said anything. Teachers tend to like kids who raise their hand and talk.
Then, I wrote a haiku in September of second grade. I had all the syllables right. It wasn’t about Tonka trucks. It was about nature so the teacher, Mrs. Snierson, posted it in big letters on the wall and decided I was gifted. Whew. Did I fool her.
The poem was:
Spring is fun you see Because flowers grow with rain And robins come home.
This is how I learned that teachers are important to writers’ egos.That one poem got me into gifted programs.
That one poem got me noticed.
That one poem put my life on a trajectory that didn’t have to do with silence.
So, yeah, I like poems.
Poems are how I stopped being silent.
So, I’m going to write poems and talk about poems sometimes in April. I hope you’ll join me!
When I was a kid at Bates College, I spent a lot of my time feeling like less. My family had been kind of poor after my step-father died. My nana would stand in line to get us big orange blocks of commodity cheese for the week to supplement our $30 grocery budget Every week my mom would yell at her that we didn’t need that. She always took it.
My mom didn’t answer the phone because she was so afraid of credit card companies calling. She’d make me do it and lie that she wasn’t there.
I still hate answering the phone, even the cell phone, even when it has caller ID.
Anyway, when I went to college I wanted to forget all that. I wanted to be an intellectual like everyone else. I wanted to have gone to private school in Manhattan or Conneticut, have a summer home in the Hamptons and clothes that weren’t from K-Mart, which was sort of the WalMart equivalent back then, but worse.
I got over all that because I knew it was pretty shallow. What I had a harder time getting over was class issues that had less to do with materialism and more to do with hatred and intellectual history.
In one of my directing classes, one of the sexier straight guys actually announced about Beckett, “People who are not wealthy don’t care about this. A truck driver doesn’t watch public television or listen to NPR. They don’t care, they’re too busy humping and eating and drinking.”
My dad was a truck driver. He watched public television. He listened to NPR. I didn’t want to think about him humping. He ate food. He didn’t drink. His parents had been prohibitionists.
In one of my playwrighting classes the professor announced, “The working people of this country don’t give a shit about nuclear power. They don’t give a shit about a man of color.”
When I was in elementary school my dad would bring him with him to protest the same nuclear power plant that my step dad was helping to build. He helped me try to get New Hampshire to recognize Martin Luther King Day and do a hundred other civil rights things. He cared.
And one of my college friends would love to say, “Carrie is too poor to be pro intellectual.”
He’s a minister now. That still doesn’t make what he said right.
And one of my female poetry teachers told me over and over again, her voice trilling up with her patrician accent, “Carrie, you have the potential to be a poet, but your voice is too raw, not refined, not artistic enough.”
My voice was poor. My cadence was public school. I was not from rich. Every sentence I spoke showed that.
They still do.
Those are just four of the incidents that made me both angry and intimidated and focused, but in the back of my head it just inflamed my self doubt. I could never be a poet because I wasn’t wealthy, private-school educated, my parents weren’t intellectuals. I could never move people with words because my words were too stark and my sentences too short. I would never fit in because I didn’t have the background that most of the other students had.
And then two things happened. I read Sherman Alexie, a not-wealthy Spokane and Coeur d’Alene who despite his issues with women, impacted me positively. Maybe because I never met him.
And I met Seamus Heaney in real life.
Seamus Heaney came to our college at the invitation of Robert Farnsworth, who was an awesome poet and professor. He met with students, he gave a reading and we all got to hang out with him at a reception.
“I can’t go,” I told my boyfriend at the time.
He bit into his pizza. He was always eating pizza. “Why not?”
“Because it’s Seamus Heaney,” I answered staring at the little bits of sausage on the pizza before I plucked them off.
I didn’t know how to explain. Seamus Heaney was THE poet, the Nobel Prize winner. He was Irish for God’s sake. Those people were gifted with words. They had so many amazing poets… Heaney, Yeats, Wilde, Clarke, Moore. I was from New Hampshire. We had Robert Frost but pretty much every New England state tried to claim him.
Heaney wrote things like:
“A hunger-striker’s father
stands in the graveyard dumb.
The police widow in veils
faints at the funeral home.
History says, Don’t hope
on this side of the grave.
But then, once in a lifetime
the longed for tidal wave
of justice can rise up,
and hope and history rhyme.”
You will regret it if you don’t go,” my boyfriend said. “I’m going to just be playing Leisure Suit Larry anyway.”
So, I went, as anxious as if I was going on stage myself. Heaney transfixed me with his amazing baritone and bear-like presence. And his words… Of course his words… And when I met him afterwards, I was terrified until he grabbed my hand in his and said, “So you are a poet?”
And I said, “No.”
And all he did was nod and say, “Oh, yes you are.”
But in his eyes was this knowing, this connection, and maybe it wasn’t really there. Maybe I just saw it because I wanted him to understand me, because I wanted someone to get who I was and who I wanted to be. Or maybe not?
I don’t know, but one second later my professor said, “Oh, yes she is. I told you about her. She is like you.”
And then one of them said something about growing up not wealthy and I can’t remember the exact words, but what I do remember is that I finally felt understood. Later, I looked up Seamus Heaney’s past, about how his dad was a farmer and neither of his parents were big on words really, not in the intellectual way that everyone in college seemed to be. I found out that he was like me a little bit not because he was a poet and I was trying so desperately hard to write just one decent poem, but because we were both human, that we both came from humble places, that we both looked in people’s eyes when we said hello.
And that was enough for me. That was enough for me to believe in myself.
Seamus Heaney performed a miracle when I met him. He made me believe that I could be whatever the hell I wanted to be and that it didn’t matter how hard I had to fight or work or not fit in. What mattered was that I wanted the miracle of being a writer, of metamorphosis from Carrie the poor neurotic kid from Bedford, New Hampshire into Carrie Jones, the neurotic best-selling author who lives on the coast of Maine.
He gave hope and miracles in his poems and in his person and I am so thankful for his existence and so sorry for the world’s loss.
“The main thing is to write
for the joy of it. Cultivate a work-lust
that imagines its haven like your hands at night
dreaming the sun in the sunspot of a breast.
You are fasted now, light-headed, dangerous.
Take off from here. And don’t be so earnest.”
I wrote this post back in 2013 when Seamus Heaney died, but in one of my student packet’s this week, I referenced Heaney and then yesterday I saw this Liam Neeson video (randomly) where he was talking about Heaney, so… there you go. I’ve reposted it.
You can help with poetry and kids. These images are from Get Lit’s website and Get Lit is making a difference.
“Get Lit was founded in 2006 after Diane Luby Lane created a one-woman show about the power of words and toured colleges with iconic Chicano poet Jimmy Santiago Baca. After the show closed, she couldn’t bear the thought of cutting off the work completely. She started teaching classic and spoken word poetry in two high schools, Fairfax and Walt Whitman. When the semester ended… the students wouldn’t leave. They insisted on meeting after school. The rest is history. Today, the curriculum has expanded to almost 100 schools, and the Get Lit Players are the most watched poets on the internet. Curriculum requests flow in from Mexico to New Zealand.”
Get Lit “uses poetry to increase literacy, empower youth, and inspire communities.”
Get Lit works – 98% of Get Lit Players go to college, and 70% get scholarships!
Carrie’s super excited about the upcoming TIME STOPPERS book coming out this August.
This middle grade fantasy series happens in Acadia National Park in Bar Harbor, Maine and it’s all about friendship and magic and kids saving their magical town.
An imaginative blend of fantasy, whimsy, and suspense, with a charming cast of underdog characters . . . This new fantasy series will entice younger fans of Harry Potter and Percy Jackson.” – School Library Journal
“Sticks the landing . . . The world building is engaging . . . between the decidedly wonderful residents and the terrifying monsters who plague them.” – BCCB
“Amid the magic, spells, adventure, and weirdness of this fantasy are embedded not-so-subtle life lessons about kindness, friendship, and cooperation.” – Booklist
“A wild and fresh take on fantasy with an intriguing cast of characters. Dangerous and scary and fun all rolled into one. In the words of Eva the dwarf, I freaking loved it!” – Lisa McMann, New York Times bestselling author of The Unwanteds series
“Effervescent, funny, and genuine.” – Kirkus Reviews
It’s quirky. It’s awesome. It’s full of heart. You should go by the first two books now. 🙂
Time Stopper Series
Time Stoppers Front and Back Covers – US versions
For a complete round-up of Carrie’s 16-or-so books, check out her website. And if you like us, or our podcast, or just want to support a writer, please buy one of those books, or leave a review on a site like Amazon. Those reviews help. It’s all some weird marketing algorhthym from hell, basically.
Thanks to all of you who keep listening to our weirdness as we talk about random thoughts, writing advice and life tips.
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